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Messages - Roscoe

Pages: 1 [2] 3 4 5 6 7 ... 17
26
DepositPhotos / Re: Are they next?
« on: February 03, 2024, 10:25 »
It would really help if those small fish agencies would lower their payout threshold. It's 100$ at Dreamstime, it's 50$ for 123RF and DepositPhoto's.
Makes no sense. Even Shutterstock and Adobe have a rather low payout threshold of 25$. 100$ at iStock/Getty too, but with them it's easy to reach.
Decreasing royalties and sales volumes should be in line with payout thresholds. 

27
A little bit more nuanced here: I had a rather decent month in sales volume at Shutterstock, considered January is never a good month.
But earnings are really low, RPD of 0,27. I can't recall seeing such a density of sales in the 10 - 20 cent range.
Level reset and climbing up is one thing, but there's something else too. Almost every S&O sale is the bare minimum of 10 cents.

To compensate, I had a very decent month at Adobe Stock. Ratio Shutterstock vs. Adobe is 1:2 with only half the portfolio size at Adobe.
There were times it was the other way around, and no matter what, Shutterstock came out first, leading with quite a big margin.

EU-based here.

28
General Stock Discussion / Re: EyeEm - More than a warning!
« on: February 01, 2024, 02:19 »
Just wondering: anyone who stayed got any sales since the acquisition by Freepik?

They paid out remaining balances after bankruptcy, and from what I read the EyeEm portfolio's would be included in the paid section of Freepik, but I didn't get any sales reported.
I uploaded a few shots to see whether they would still be moderated, and got accepted for partner collection. Not sure what it means, because from what I understood partner collections were deleted.

So things seem to be operational there at EyeEm, but no sales, or worse, no reporting.

29
Shutterstock.com / Re: Shutterstock "Contributor Fund"
« on: January 25, 2024, 09:44 »
Almost missed it, but I saw a small fee from the contributor fund yesterday. Not even half of what we got in 2023.

30
Rounded numbers:

1. Adobe Stock (31%)
2. Shutterstock (29%)
3. iStock/Getty (17%)
4. Wirestock (11%)
5. EyeEm (2%)
6. Dreamstime (2%)
7. DepositPhoto's (2%)
8. P5 (1%)
9. PantherMedia (1%)
10. Zoonar (1%)
11. MotionArray (1%)
12. Alamy (0,5%)
12. Some other breadcrumbs

Regarding Wirestock: I have some images there that I distributed over all agencies, but most are not distributed to the agencies I maintain a personal account on. Adobe is my lead seller there too, despite having most images on my personal account with Adobe. Every now and then a nice surprise there from partners I don't maintain a personal account (Envato for instance) but most of the time I regret having hem distributing my content to main agencies. I don't upload there anymore, so it's all about milking a historical portfolio.

EyeEm is bankruptcy payout. Haven't sold anything since they were acquired by Freepik.
So the number would be higher if they would still be in business as they were before.

Also important to mention is that I don't maintain equal porfolio's. Smaller ports on EyeEm, MotionArray, Panther, Zoonar and Alamy.
Biggest portfolio is iStock/Getty (they take everything except illustrative editorial).
Adobe has the smallest portfolio of the big three, as they don't take a lot of my editorial content. (yet they are my best-earner)

And. Am I a fool maintaining my portfolio's on smaller earners?
Yeah. Probably. On the other hand, it's mostly automated uploads, so very little effort.



32
iStockPhoto.com / Re: November Statements ready.
« on: January 24, 2024, 01:46 »
Ah, another e-mail arrived.
Pictoright Collective Licensing Payback 2023 H2
What is that?

Oh just can't wait, maybe I got 55 for AI licensing? Or a partner site? Tell me if you find out.

https://pictoright.nl/en/

From their website:

Pictoright is the copyright organization for visual creators in the Netherlands: illustrators, visual artists, graphic designers, photographers, architects and other image creators (or their heirs). These visual creators can join Pictoright free of charge to claim the collective fees to which they are entitled. In addition, they can commission Pictoright to protect their copyright and collect royalties for the use of their work.

Pictoright is a non-profit foundation designated by the government to collect and distribute collective rights. Pictoright also exploits individual copyrights, offers legal assistance, acts as an inquiry point and is committed to improving the legal standing of image creators.

Pictoright represents the interests of visual authors by exercising, promoting and protecting copyrights. We do this by:

distributing collective remuneration to all visual authors who are entitled to it;
exploiting the individual copyrights of affiliated visual authors;
acting legally on behalf of affiliated visual authors;
informing creators and users by means of talks and publications;
supporting organizations or activities that strengthen the social and cultural position of visual authors.
The exercise and enforcement of copyright is essential for visual creators. Pictoright supports visual authors in this regard. It strives for maximum compensation for visual creators and for an optimal distribution of this compensation among as many copyright holders as possible.

As an authoritative copyright representative, Pictoright is transparent, flexible, involved, service-driven and focused on the market. All income and expenses are fully accounted for. Pictoright is supervised in this by the government ( College van Toezicht Auteursrechten, CvTA). The Board, management and staff feel responsible for the entire organization and for the copyright interests of all visual creators.

Pictoright is the copyright organization for visual creators; There are similar organizations for writers and writing journalists (Lira), composers (Buma Stemra) and publishers (Pro). Pictoright frequently acts in cooperation with these organizations to represent the interests of all copyright holders in the Netherlands. We also reach agreements on how to distribute the remuneration. We act in line with the requirements set by the CBO Quality Mark.

Pictoright has also made arrangements with equivalent organizations abroad so that the copyright of visual creators is maintained across borders. Anyone who joins us for for the full copyright management is assured of copyright income and protection in more than thirty countries, including England, Germany, France, Belgium and the US.


I don't know how to interpret this, but it seems that Getty managed to get a flat fee from the Dutch copyright organization for the use of their images, and distributed a commission to the contributors. If that would be the case, it would be weird, because Getty provides licenses, so no need to pay twice. On the other hand, they maybe used the argumentation that there's a lot of fraud and misuse, and therefore received a flat fee compensation. I don't know.


33
New Sites - General / Re: Imago-images
« on: January 19, 2024, 08:44 »
I don't upload directly to them but got some sales through Zoonar. Royalties after distribution fee are still rather okay'ish, ranging from 32 eurocents to a few euro's.
Also P5 is distributing images there indeed, but can't really remember getting any sale through P5. (they might not report it as a distribution sale)

Not really worth it if you ask me, but good enough add-on through distribution for those who don't mind taking that route.

34
iStockPhoto.com / Re: November Statements ready.
« on: January 19, 2024, 03:57 »
Got a crappy December too. Already expected it, as I took a look on the views and interactions in the content statistics. Only half of what I used to get, and earnings are even less than half. Doesn't look much better when I look at the current situation for January. 

iStock/Getty accounted for 17% of my microstock earnings in 2023, which is a small drop in comparison to the 19% in 2022.

35
Dreamstime.com / Re: Dreamstime Website Seems Broken
« on: January 16, 2024, 13:27 »
Seems to be working fine for me. Latest uploads a few days ago and the're in my profile. Regular images, not AI.
But sales are broken, that's for sure :-)

36
Panther Media distributes to other agencies as well indeed. I also have images via Panther available on Alamy.
The very vast majority of sales via Panther are partner sales, although I'm not sure which other agencies they distribute to.

Sometimes this leads to the same image being available via different stock agencies.
I found one of my image available on Alamy via P5, Panther, and WireStock.
Apparently, they don't check for duplicates.


37
This would not make much sense, as descriptions and keywords are also checked against misuse or use of not allowed keywords.

38
From what I can see after having a quick look: good enough shots (with some really good ones) and locations included in the description and metadata. Two prerequisites to get landscapes sold. Not much more you can do. The possible issue might be diversification. A lot of your shots are landscapes from roughly the same location, Romanian nature, and sadly enough (despite being a beautiful country) Romania is not a top tier tourist destination. So you have a lot of shots in a low demand niche with a lot of competition.

What you can do to get more sales is diversify. I understand that traveling abroad or further away to other travel destinations is not easy, but you can take shots on the way to your regular travel locations or hangouts. Start including editorials. Include local landmarks. Include local storefronts with brand names. Include interesting city or town locations, city nameplates, public transport, civil services, certain situations like traffic jams or weather conditions... Take some closeups of your car, your hiking gear, your drinks, your food. Take some shots of the people with you, doing things, and ask them to sign a model release.

In other words, start journaling your trips through photography. It will not only improve or expand your photography skills, it will also get you more shots to upload and more (occasional) sales.

39
Standard photography will survive because it's all about authenticity and moments, fragments in time. 

AI can't generate your personal and tailor made memories or moments. Whether it's a snapshot of your kid playing with a toy, a camping trip with friends or your wedding... AI won't do that. You will still need a camera to capture that exact moment. 

Same with images of events, travel locations, celebrities, sports games... AI won't be able to generate moments on unique locations and circumstances.
Photographers will still be needed to capture those moments. My personal opinion: I see videography as a bigger threat to standard photography than AI in this area.

Stock photography however is a totally different game. Authenticity will still play a role in a few niches, but in many cases, AI will be able to take over. It's already ongoing, and growing exponentially. When I talk to designers and people involved in DTP: they already fully embraced AI, and when they shop for useful images, they don't care whether it's AI generated or a real photograph. They buy the image that fits their needs, and they tell me that it's often AI. In some of the stock photography niches, standard photography stands no chance against AI.

Where AI will stand on the longer term: I don't know. I really wonder how much we, as a society, are willing to accept artificially generated content. I still believe that people value authenticity and human made products, in general, more than artificially made stuff. And there will always be a strong counter movement. As mentioned before: Some very well established movie directors still prefer filming analog above digital, and the same in the music industry. Ask Steve Albini (https://en.wikipedia.org/wiki/Steve_Albini) for instance.







40
Shutterstock.com / Re: New files don't sell
« on: November 16, 2023, 12:41 »
I read this "complaint" before. Every now and then people complain that new images don't sell, or sell less than older ones.

I always saw this as an increase in competition.
Meaning: the search algorithm shows a mixture of images that sell well and newly added content, and you're up against an increasing volume of new uploads, and battling against already settled images. In popular niches your new image gets replaced or pushed down rather quick in favor of an even newer one, so I guess it's a matter of luck or having unique content that is in demand to get some traction.

In addition, I also see a decrease in sales volume on Shutterstock last past months, so I guess there is, apart from ever increasing competition, something else going on too.
They seem to be losing customers too.



41
Alamy.com / Re: anybody received their Alamy payment in November?
« on: November 16, 2023, 12:23 »
Still waiting for mine too...

42
General Stock Discussion / Re: Freepik acquiring EyeEm?
« on: October 12, 2023, 07:54 »
I received two payments, but since my current balance is $4.66 after ten months or so, I doubt Ill care much about EyeEm in the future.

Question is: what will happen with the content? Direct EyeEm sales became very scarce already before bankruptcy and I can't imagine there is much of a customer (and contributor) base left. The vast majority of my income at EyeEm came from partner sales and those portfolio's were deleted too.

Freepik wil probably transfer the content to their platform (under which conditions and which plan?) and maybe redistribute to others too (which ones?).

So I don't know what will happen, but I'm positively surprised that after all that time I got my money.

43
General Stock Discussion / Re: Freepik acquiring EyeEm?
« on: October 12, 2023, 03:20 »
I was able to log in this morning BEFORE the email was sent. Probably just too many users using the site at the same time causing the problems now...

I hope I can request my remaining balance before the money runs out again ;-)

44
General Stock Discussion / Re: Freepik acquiring EyeEm?
« on: October 12, 2023, 03:01 »
The reset link finally worked, new password worked, can log in but cannot get to my page. error codes.

I'll try again later.

They say they will pay us.

Will wait to see how sales are, my 10 images on freepik never sold.

But I guess I can now supply them via eyeem.

Does freepik also take videos and ai?

Maybe we can upload that to them as well.

Eyeem never did anything with the videos we sent them.

I was able to reset my password, and log in to their mobile site, yet, my profile page is not working there.
Logging in on the app and desktop site is not possible either. A lot of technical issues apparently.

Just wanted to take my money and run :-D

I don't know how the distribution to Freepik will take place.
Will EyeEm also take a commission from the pictures sold via their Freekpik parent?

Anyhow, let's see how this goes, not too much to loose anymore, except that I'm not sure under which conditions my content will be sold at Freepik.

45
General Stock Discussion / Re: Freepik acquiring EyeEm?
« on: October 12, 2023, 02:43 »
Maybe they are restoring the database or something...
Might be that, the site is very slow too.

46
General Stock Discussion / Re: Freepik acquiring EyeEm?
« on: October 12, 2023, 02:37 »
Got the same email.

Tried logging into my account, not working.

Same here, thought I forgot my password, but the reset link is also not working.

47
General Stock Discussion / Re: Freepik acquiring EyeEm?
« on: October 12, 2023, 02:25 »
Found this mail this morning in my mailbox:

We want to start by saying that we are back, and we deeply appreciate your patience, support, and understanding during the past challenging months. We understand that there have been frustrations, and we want you to know that we are fully committed to making things right.

Our return marks a new beginning, and today, we are thrilled to announce that we've found a solution that will allow us to keep our community moving forward. As part of our ongoing efforts to improve our services, we are delighted to introduce you to our new owner, Freepik, one of the largest platforms of graphic resources.

Our top priority is to ensure you receive your owed payments. To facilitate this, we have established a dedicated community management and support team that is here to assist you every step of the way. Within our new partnership with Freepik, we will also be distributing imagery via their platform from now on, giving you the opportunity to earn more revenue from your creative work.

What's next for you?
As already mentioned, EyeEm is back on track to full capacity, so now you can take the following steps:
   Weve already started paying out all open requests and will continue doing so regularly again. If you have pending payouts, please request them through your earnings page.
   If you're ready to start uploading fresh content, you can do so on eyeem.com/upload.
You probably have many questions or concerns, and were ready to solve them all. Make sure to check our updated FAQ page for more info and details, well make sure to update it regularly based on your inputs.

Once again, thank you for your patience and for sticking with us through thick and thin. As always you and all our photographers are at the center of everything we do.

The EyeEm team


Good thing is: we will receive our pending payments. At least I hope.
Bad news: we're officially Freekpik contributors now.

48
Same here. Decent amount. Can't request payout yet though. Maybe because it's too close to the previous request which is still processing.

49
It depends.

When I'm pretty sure the review was wrong, I resubmit. Back in the days when reviews at Shutterstock were rather random, I resubmitted an image three times before it got accepted. That particular image took off and became my best-selling image so far. Of course, I knew there was nothing wrong with it, and the reviewing system was randomly rejecting images for no particular reason.

Sometimes I can see the reason why something got rejected, and then I correct wherever possible (e.g. a dust particle) before resubmitting, or don't bother to resubmit at all if I think the effort of correcting something and resubmitting is not worth it.

That said, I don't resubmit at Adobe as I always found their rejections to be fair. Until today, something seems to be off, yet I don't take the effort to resubmit. Not sure how they handle it, they might as well shut down my account when I'm too persistent :-)
Shutterstock on the other hand seems to take everything everywhere all at once nowadays. Same story for iStock.

 




50
Wirestock has a weird way of doing business.
They could have increased their own commission up to 25% for instance instead of asking for a subscription.

I guess they want to weed out the small and low volume contributors. On the other hand. 200 submissions is on the low side for professional contributors.

So maybe I'm missing something here or it's just another stupid move by them. Never considered them as very professional anyhow.

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