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Messages - heywoody
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176
« on: January 16, 2015, 15:24 »
Why does anyone care if someone is taking IS for a ride? I don't condone it and sure there will be a reckoning at some point but not gonna waste any sympathy on either party.
It's less about any harm done to iStock than it is harm done to all of us if the marketplace looks - to buyers, who are the ones making this all possible - like a sleazy back alley where you never know what you're getting or who you can trust. Ideally (and I realize we're not there), it should be a fair, honest and well regulated marketplace where buyers get a reasonable deal and know what they're paying for.
The harm to the buyer in this scenario, if they buy from iStock, is that they've paid a premium price for something that should have been main collection (not cheap, but not premium). A low level ripoff.
iStock tool the first image reported down within a few hours, so they were responsive once told.
errr... no sympathy for such buyers either. Anyone dumb enough to pay a premium for a product of no better quality than is available elsewhere for a fraction of the price because of a perception of a "label" deserves to be screwed.
177
« on: January 14, 2015, 17:59 »
Why does anyone care if someone is taking IS for a ride? I don't condone it and sure there will be a reckoning at some point but not gonna waste any sympathy on either party.
178
« on: January 09, 2015, 17:26 »
Let's face it they've effed if up again - there is no earthly way that virtually nobody had TS sales in December. It almost seems like they have monkeys manually keying in the sales from paper transcripts the way it NEVER behaves the same way one month to the next.
179
« on: January 07, 2015, 16:50 »
They have no reason to pay anybody more. They are making all the right moves for their company, investors, and destroying the competition. They get to work in a swanky ultra expensive NY office building and employees get all kinds of benefits. Execs are rolling in money.
All of this while they pay their contributors pennies per sale and contributors sing love songs about them. Why would they pay any more?
It really is a brilliant business model.
Very true but the bottom line is that it's a business and the purpose of a business is to maximise profit for the business. They do this well and far more professionally than anyone else. The rates are poor but nobody is forcing any of us to contribute there..
180
« on: January 07, 2015, 16:43 »
I wouldn't worry about it - DT regularly competes with IS to win the trophy for Slowest Review Team on Earth.
In defense of IS though, at least they understand that an image containing some of the same elements or props is not similar if the concept is different. DT can't seem to grasp that and are the poorer for it.
But at least DT know when they're looking at a render and don't mistake it for a photo or a vector illustration
181
« on: December 23, 2014, 19:07 »
Don't spend it all in the same shop
182
« on: December 21, 2014, 18:21 »
IMO there is no big 4 - for me there is a BIG ONE - shutterstock followed by the middle sized 4 - Fotolia, 123, Istock Dreamstime - Dreamstime is trending sharply down for me but has often sprung back in the past. Contary to many reports I stock is trending up. Just sayin!
That sums up my thoughts as well.
actually i would say there is only a BIG ONE and the rest are dribbling around position 70 to 100 based on the percentage of earnings. i joined about 30 of the 2nd to 30th on the right of this page in early 2K and joined every new one for about the next 10 years. but after i joined shutterstock and started to earn monthly payout, i decided to drop the rest of them. i still have ports with all of them except last time i checked, none of them have earn as much since inception as shutterstock has earned for me in a week. does that answer your questions?
So you earn in a week on SS, with the same port, the same as any other site over 10 years? Getting back to reality, DT is certainly top 4 but tend to agree with the consensus that, really, there's a big 1 but have to concede that, for some, IS is still there. Per image, IS is worth about 7% of what is was but push SS most months on the RPI front with PP but this view is probably skewed by just putting up the proven sellers.
183
« on: December 15, 2014, 17:54 »
Nobody like them but most sites notify you when it happens. I noticed that there was a discrepancy between my stats extract and what the stats were saying on FT. As it could have been a bug in my own scripts I tracked it down to a sale in Sept that got deducted from earnings in November. I don't recall any notification (may have got and deleted) so just curious if anyone else has had any?
184
« on: December 11, 2014, 17:39 »
While not in the same league as Shutterstock, DT still does fairly well for me and I take several payouts each year. This is probably due to a relatively large number of individual sales in the $5 to $10 range each month, along with the usual $0.35 subscription sales and an occasional EL. So are they dying ... not so far as I am concerned.
Seems about right. Overall RPI seems to be in slight decline everywhere but IS is the only one that is truly spectacular
185
« on: December 07, 2014, 16:15 »
^
I used to think that the CV was a strong idea. But today I wonder whether it is an over-engineered and over complex solution vs the lightweight simplicity of free text. The staffing and technical overheads must also be significant and I wonder whether it will ultimately be phased-out ?
The Party Food example above is a good one. Party Food and Buffet should bring up subtly different mixes of images. And there will be many similar examples. The CV eliminates this sort of granularity by making things the same which are actually potentially different. In this example a complex implementation of simplicity creates ambiguity.
And changes to the structure of the CV potentially result in existing images being effectively orphaned. For example, even if Party Food were to be retrospectively given its own place in the hierarchy, those images which are already primarily keyworded Buffet would not necessarily be mapped to the new item. For instance, many who knew that Party Food = Buffet in the iStock CV, or used copy,would not have included the potentially more descriptive term. And they would have no way of knowing that they should revise their keywording. Because these changes are not effectively communicated to those with content which might be affected.
I think that the idea of a CV potentially made sense at a managed library like Getty Images where it was originally implemented and where the keywording was done by staff. I am not so sure that it makes sense at a site like iStockphoto where thousands of images are uploaded and keyworded every day by the contributors themselves.
It is one of these things that should never have got past the "idea" stage.
186
« on: December 05, 2014, 18:04 »
Spamming keywords is a bit like steroids in sport, agencies should come down on offenders much harder than they do presently
187
« on: December 02, 2014, 17:54 »
With Pete on this...
Seriously, SS want to maximise profits, what earthly (or unearthly for that matter) reason would they have to cap a contributors daily sales?
188
« on: November 30, 2014, 10:58 »
Agree with disorderly. Whatever niggles folks may have from time to time SS is far and away the most professional agency out there.
189
« on: November 02, 2014, 06:59 »
Files newer than 6 months account for 11% of sales in the last 6 months but represent 9% of images so they seem to do slightly better. Tracking sales by file age shows a slight upward trend.
190
« on: October 24, 2014, 18:13 »
The strange thing is that when folks show actual examples of what is rejected the majority of contributors usually agree with the reviewer
191
« on: October 15, 2014, 15:58 »
There was a very interesting article on trademark issues by Dan Heller that basically says photographers do not need property releases, only the publishers do:
http://www.danheller.com/model-release-copyrights.html
Excerpt:
"Some photographers ask, "why do photographers need releases?" The answer to that is photographers don't need releases. Publishers do. Photographers get releases for photos so as to broaden the market of buyers for their photos. And not every publisher of a photo needs a release eitheronly those who might use the photo in a way that implies an association between them and the subject. Newspapers, magazines, books, exhibitions of art, and most other forms of publication do not need releases, thereby making it possible for you to take pictures of anyone and anything, and sell them to anyone. Now, if the person who wants to buy the photo needs a release, then you might want to have gotten one at the time you took the photo. And this is how the entire rumor mill got started with this "need a release" thread, and how it got to mangled into misinformation."
It wouldn't be great for business for an agency if its buyers were sued en masse for copyright violation though
192
« on: October 15, 2014, 15:55 »
The tool I use for stills (Vue) has pretty comprehensive animation features which I believe will do anything you need (tons of example videos on youtube). However I haven't really explored this so wouldn't be volunteering (learning curve etc etc). Might be worth posting on this forum though where the skillset would definitely be available (vue general forum possibly). http://www.cornucopia3d.com/forum/index.php
193
« on: October 13, 2014, 16:57 »
Been said already, I don't think IS review the images as such anymore, just check for potential copyright issues
194
« on: October 13, 2014, 16:54 »
I fully understand why you don't want to work with them. I don't like them either, though I still have my portfolio with them.
But what I don't understand: why are you still with IS? Their attitude towards contributors is no better, and they have been - for the longest time - the role model for all other agencies to keep commissions down. They had the lowest percentage in the business since they started. And when they decided that 80% is too much, I left them. I don't think that decision had any positive effect for me. Since then I'm a bit more cautious with deleting portfolios, even at agencies that screw contributors like FT and 123RF.
And by the way, my sales at FT have been up last month, although I am opted out of DPC. Must have some other reason.
I agree with what you are saying, but each agency is different.
IStock milks its contributors for everything it can get, but it's incompetence and high prices mean that it isn't really a threat to the other agencies. In fact it's mostly cutting its own throat by taking such a high percentage (as already discussed).
They also haven't been caught out misleading contributors in the same way as FL (using generous language). FL's hypocrisy is also hard to swallow, throwing their toys out of the pram when DP came along and threatening their contributors then coming up with DPC that is much worse.
Also before evaluating whether leaving IS had any positive effects for you think about all the time and frustration you have avoided by not uploading to them. Then think about all the subsequent (and future) shenanigans you don't have to worry about. Then factor in that their market share is ever decreasing. Seems like you could have made the right decision, no?
Sorry, IS - high prices??? That was then, this is now - at least for non-exclusives..
195
« on: October 12, 2014, 12:31 »
I fully understand why you don't want to work with them. I don't like them either, though I still have my portfolio with them. But what I don't understand: why are you still with IS? Their attitude towards contributors is no better, and they have been - for the longest time - the role model for all other agencies to keep commissions down. They had the lowest percentage in the business since they started. And when they decided that 80% is too much, I left them. I don't think that decision had any positive effect for me. Since then I'm a bit more cautious with deleting portfolios, even at agencies that screw contributors like FT and 123RF. And by the way, my sales at FT have been up last month, although I am opted out of DPC. Must have some other reason. Took the words right out of my mouth. If FT is showing an earnings increase with no knock on impact elsewhere, how are they any worse than the sites Dirkr mentioned?
196
« on: October 12, 2014, 06:22 »
To be perfectly honest, I get a better return for my sales at FT / DPC than I do at IS where we are getting raped on both pricing and commission but I suggest the decline there is more to do with the ineptness of the folks in control than any external factors. SS are holding up, DT is coming back nicely after a few bad months mostly due to good RPD and the only place I see a downturn is 123. There is a sense of running faster to stay in the same place generally that can be totally explained by the vast increase in supply over the last while.
197
« on: October 11, 2014, 16:34 »
Also a muppet, volumes & prices both up at FT and getting the 30%+ bonus - no noticeable effects elsewhere.
Curious what sites the minus givers submit to because, DT / SS excepted, all the others have bent us over...
198
« on: October 07, 2014, 15:37 »
Nope, ordinary upload
199
« on: October 06, 2014, 17:03 »
Just uploaded a few and the criteria said 17MB (or approx 6 MP) although it still says 24MB everywhere else..
200
« on: October 02, 2014, 15:43 »
SS - average to good DT - average to poor FT - very good, pushed SS for a while 123 - poor IS - who knows until PP comes in AM - single sale making them #2 for the month and producing an overall BME
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