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Messages - Xanox
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201
« on: August 04, 2013, 13:25 »
High quality HCV images for 16 cents?
yeah I mean this stuff is clearly targeting Flickrs, students, and random amateurs. Anyone joining such a low-profit business is not a pro and never will. so all in all i don't see it as a menace honestly, even if people gave away the images for free rather than 2-3$.
202
« on: August 04, 2013, 11:11 »
This amazing new business will most likely be like almost every other tech startup, a big failure. Let's hope so. If it succeeds, it will be a significant step toward further degrading the value of photography and artists' copyrights.
i think it can only damage amateur photographers and in any case buyers will only get cr-appy snapshots, what else do they expect for a few bucks ? not certainly pro images. i mean this stuff is the real rock bottom in terms of price, professionals will not lose any sleep about it.
203
« on: August 04, 2013, 11:07 »
Does anyone know when the 7D mk ii is coming out? might be worth waiting for if it is a 24mp???
yes, when nikon will announce the D400 ... that means .. hmm ... never ?
204
« on: August 03, 2013, 23:40 »
...and what about all those fingerprints They add to the so much asked authenticity of mobile snaps 
that's a great idea .. who needs watermarks when you can use your own fingerprint ?
205
« on: August 03, 2013, 23:39 »
And I blame Google too. Do a search for just about anything and you will find TONS of unwatermarked images with no copyright info.
you can only blame the RF licence for that. it would be fairly easy to track down RM infringers but with RF it's impossible for the photographers especially if the same image sold dozens or hundreds of times.
206
« on: August 03, 2013, 22:04 »
We all know the Nokia 808 PureView 41-megapixel camera is the correct answer 
yeah what could ever go wrong with a webcam stuffed into a phone and what about all those fingerprints.
207
« on: August 03, 2013, 22:01 »
Purely my opinion based purely on my experience.
I sold both my 5D MK II bodies and upgraded them both to 5D MK III bodies. I've kicked myself ever since.
The reason I switched? Everyone told me there was a better focus system. The reason I'm kicking myself? I like the old focus system.
I do like the weather sealing and the faster frame rate but for the first time ever, I find myself sharpening images in Lightroom after shooting RAW.
i would blame the new AF for that, i noticed (and it's also agreed by nikon) that these new 51 points AFs + 3D tracking work well with sport/action images but for anything else a simple 21 or 9 or 5 points AF will suffice and is more reliable, i'm using the AF with 5 points and no problems so far, for moving people i use 3D tracking and AF-C but sometimes it's hit or miss especially in low lights while in daytime it works like a charm.
208
« on: August 03, 2013, 15:07 »
Crop sensors these days are have come a long way.
indeed. i can't see any big difference between a D600 and a D7100 for instance, and same in daytime with ISO 200 between a D3 and a D90/D300s. i'm so focking tired of all this mumbo jumbo against DX and APS-C just because it's cheaper so "it must be cr-ap". have these guys ever done a comparison between DX and FX cameras with the same prime lens for instance ? i did and can't see where's the big fuss about it .. it's all about marketing and BS, the reality is you can make GREAT daytime shots in ISO 100-800 even with a 500$ D3200 ! throw some 2-300$ more for a nikon 50mm F1.4 and you can also make some decent shots by night (handheld at 1/60 and maybe iso 800-1600) with very low noise. edit carefully the whole stuff and these will be images that SELL, not snapshots. now, why there must be always this snobbery among stockers, i don't know ... all that matters is getting value for money and producing decent saleable images. i tried all the recent nikon and canon full frame cameras and i'm not so impressed by their low light performance. they're great on high iso when there's a decent light but try shooting in a dark street and you'll still need a F1.4 prime, same in disco and bars and the results are far from the "noiseless" fairy tales so many talking about, there's no way these cameras are noiseless above iso 800 and grain is quite visible above iso 1600 ! in the end the best option might be a D800 so you can denoise a bit and downsize to 24MP, the final output will smoke the 5DmkIII in any field and no need for sharpening too.
209
« on: August 03, 2013, 09:52 »
and this is the NORM for Huff Post and friends .. i'm seeing this sh-i-t since many years over there and in other AOL sites.
no one cares, and if you point it out in the comments people will even tell you that google images is fully legal and it's fair use and bla bla bla.
in the best scenario if you write to their editors they dont even reply and the image suddenly disappears or is replaced with some public domain cr-ap from wikipedia.
so these guys don't pay bloggers for the articles and dont pay photographers for images. who exactly is getting paid at the Huff Post apart their execs and their sycophants ?
if billionaire corporations like AOL dont pay authors, who will ??
210
« on: August 03, 2013, 09:47 »
there's too much talk about canon/nikon in my opinion ... they're both almost on par especially regarding lenses.
once you've a 20-24MP sensor you've more than enough for pretty much any normal use required in agencies and even fine-art prints, and actually there's still plenty of famous photographers shooting in 12MP with old D700 and D3s !
what we need are faster lenses, hope that Sigma is working on that as canon/nikon are sleeping.
211
« on: August 03, 2013, 09:44 »
How many of those lenses do you really use? Unless you shoot other types of work, for micro an 18-200/28-300 would probably cover just about everything.
at least in daytime, yes, they're great, but forget about indoors or low lights.
212
« on: August 03, 2013, 07:13 »
have you considered a nikon D7100 ? 1200$ body only ... 1/8000 shutter, dual SD-card, 24MP, 51 points AF, low-ISO on par with D600.
all this talk about low light is getting boring ... i've yet to see a camera doing a GOOD night shots in ISO 3200 for instance, and even at 1600 they're all still noisy and grainy no matter if shot with a 2000$ F1.4 prime.
213
« on: August 03, 2013, 04:28 »
you guys all seem to forget that nowadays to sell a product like hotcakes you NEED exposure, you need to be famous, popular, or at least well known in your market niche, no matter if because of a good or bad reputation.
once you're famous you can even ask donations on crowdfunding sites, you can write books, do interviews, get your BS heard and written in blogs and forums and newspapers, no matter what you actually say, it's all about getting your name known.
random readers who never heard about Yuri will believe the mumbo jumbo about him being the king of microstock, they will not double check if other image factories are bigger than him and if they keep a low profile to avoid unwanted attention by the tax office or whatever.
so may you like it or not he's doing the right thing and actually he's not even pushing his image too much as he's not updating his blog regularly and he's not posting cr-ap on FB or Twitter like so many others.
all he needs to keep his status now is to post a new press release to us villains and plebs once every 3 months, maybe coupled with an editorial article about the situation of the micro/macro market .. people will like it and write 50 pages of comments like here on MSG ...
214
« on: August 03, 2013, 04:19 »
i think it will be soon game over for photojournalism sponsored by crowdfunding.
if you're famous it's still working great, but if you're not .. i see plenty of projects that barely get 500$ in fundings.
and people seem to forget that it's not profit, funders expect to receive a book or a print .. it's a just a promotional pre-sale basically, it's not a donation !
215
« on: August 03, 2013, 04:16 »
wordpress has many addons to automate the posting to FB/Twitter/instagram/etc
for anything else, no money is going to come from this activity, only some "exposure" but just as long as you have a lot of followers otherwise it's a waste of time.
ask yourself, why people should "follow" your rants ? you must give them very good reasons to do it.
216
« on: August 02, 2013, 16:15 »
he's got a 100K images collection spread out on dozens of agencies so he's the only ones with the hard data to judge what's going on, what's selling good or bad, etc etc
if he moved to greener pastures is because it's worth it, simple as that.
now, no idea how much worth it, maybe just 10% more or maybe 50%, who knows, but he wouldn't do it to lose money or just to save the hassle of dealing with 20-30 agencies instead of one or two.
as for "the cr-ap", well we dont know if getty agreed to take 100% of his collection of if they will just pick the good ones, so the "leftovers" can pretty much be moved into istock or thinkstock.
and for what we know he could also produce and resell photos for other image factories !
217
« on: August 02, 2013, 16:07 »
yeah, Emphas.is is ONLY for photojournalism actually, and they only accept projects by people with a decent CV and portfolio, unfortunately it seems they're financially in trouble and they're begging for donations to support Emphas.is itself !
for anything else there are photography projects on Indiegogo, Kickstarter, and many others but it seems just a way to sell you a book and merchandising, no idea if they even make money because many authors downplay the real costs involved in printing and shipping !
some will promise you a book + shipping for 30$ and then they discover they're going to lose money big time.
but from what i've seen these sites are becoming less and less relevant in bringing you buyers, all they do is acting like a platform, like Ebay .. if you don't have already a lot of followers and a big mailing list of contacts there's no way to get serious fundings.
the irony is, if i had such a big number of followers i would setup a site myself and grab 100% of the money and save the 4-5% paypal and credit cards fees and the fees for the crowdfunder site too.
it seems only 35% of the projects get fully funded and most of them are about games and electronics.
if you make photo books, hmm ... i think realistically you can expect to make no more than 5$ net profit per book but you'll have to print and ship the whole stuff and deal with complaints or people not receiving the book or whatever.
all in all .. hmm 500 or 1000$ per book in the best scenario ? yeah .. in a lucky day because if you're not famous who's gonna buy your book ? at the very least the concept or the stories should appeal to a certain niche crowd.
i think it's a great business model but it will become harder and harder because of saturation and scams and the way it's working now it's too easy to attract scammers i mean there's even people asking 5000$ to save their sick dog .. what the F ?? who can control you're for real ? a blog with photos of the dogs ? unbelievable but it says a lot more about donors than about crowdfunding.
218
« on: August 02, 2013, 05:58 »
i don't think he's gonna fire anyone, his goal could be to create a 1 million images portfolio so he might hire another 100 guys if needed.
you all think his belly is full but i've the feeling this is just the tip of the iceberg, the deal with getty allows him to produce expensive shots for getty and leaving the cr-ap for istock and thinkstock, win-win scenario.
219
« on: August 02, 2013, 05:49 »
and then gets the award for fastest growing danish company...
maybe in the startups category or SMEs. for big ones i've the feeling Carlsberg is spreading like wildfire in asia, and what about LEGO becoming massive even in China ?
220
« on: August 02, 2013, 01:30 »
 HA HA HA HA !!!!!!!
221
« on: August 01, 2013, 15:43 »
Looks like SS's stocks are bouncing back, so the Yuri effect, as he would like us to believe, was very temporary:

as confirmed by Yuri it seems SS has no plans to raise our fees or to launch a new expensive product line. and frankly speaking i would do the same, their core business is being the leader in low cost so they better avoid risky adventures in news, reportage, midstock, etc their strategy will be about cutting costs to the bone even more than now, as for their new collection i'm afraid they've something nasty in store, like all-you-can-eat mobile pics or whatever cheaper than chips. in any case they can't stay idle, public companies usually announce something new every quarter to keep high the investors's attention span, no matter if it's all smoke and mirrors as in most of the cases, see the recent jump in FB's mobile profits, anyone following the industry knows very well the ugly truth and it will all crumble soon like a sack of potatoes. at this point they could also find the money for some M&As .. including buying FT or DT, we'll see but it would be a logical step.
222
« on: August 01, 2013, 13:39 »
superstock has great images but i wonder about their sales, i can't remember the last time i've seen a photo credit @ superstock, must be a few years ago, same for Masterfile.
223
« on: August 01, 2013, 13:26 »
why not donating on http://www.emphas.is ? at least they're helping starving photojournalists and you maybe get a book or a print out of it. sites like Kiva look 100% scam to me, i've seen so many NGO ripoffs in poor countries to believe such operations are genuine ... lending money to ugandan farmers you've never seen in person ? no way .. probably a bunch of nigerian guys running internet scams and spending your money on booze and hookers just as they do here in south east asia.
224
« on: July 31, 2013, 23:47 »
the job he's asking for is called "photo researcher" and it was a well paid job in early stock agencies.
it's laughable he's offering 10$ for what could easily take hours of work, i don't think he's just seeking generic images of smiling students, there must be much more than that.
225
« on: July 31, 2013, 22:13 »
no idea if this was already discussed but i just noticed this site which is basically a portfolio service for photojournalists, they claim to allow distribution by Getty for "selected" premium members (100$/year) ? http://www.lightrocket.com/gettythe company seems to be a spinoff of ONASIA, a reputable travel/editorial agency, no idea how they manage payments and all, and what if you don't renew the membership ? will they remove your files ?
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