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Messages - Bauman
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26
« on: March 05, 2025, 09:52 »
I just wish the compensation for this work would be fair again. It isn't anymore.  I have nothing else to add.
27
« on: March 05, 2025, 08:30 »
Instead of perma complaining...people can also just move on to another business.
Cobalt, I might consider your comments more if you made twice as much as I do. Instead, you make less than a quarter of what I make, at this moment, in this business. Maybe you should have the humility to listen to what those who have more experience than you have to say. You should have more respect for what others write and understand why they write it instead of being the teacher who knows everything. Problems should be reported when the house creaks, not when it has collapsed.
28
« on: March 05, 2025, 08:18 »
You should read Byung Chul Han ... companies (and also microstock platforms) make us compete against each other and we think that failure or success is only our fault.
And so they achieved their success. Platforms like Getty take 85% and we are left with 15% with which we have to pay taxes, equipment, models and travel ... and then I read contributors who are very happy about all this.
Positive thinking is a perfect rip-off of neocapitalism, says the Korean philosopher.
"Divide et impera" the Romans used to say and the platforms are doing it perfectly.
The forum is full of protests and incontrovertible data, and not complaints.
29
« on: March 04, 2025, 13:56 »
I've already done a job I didn't like for almost 20 years. So I'll fight with all my strength to keep doing this. Now is not the time to adapt; now is the time to fight.
The fault that I sell less is the greed of the platforms. I sell many more photos than 10 years ago ... it's the platforms that have lowered the compensation rates (except Adobe, which is the only agency where I earn more than before).
And a little bit, it's also the fault of the contributors who agree to sell their content for crumbs. Fortunately, I don't make videos (maybe I will in the future), but I'm seeing many "microstockers" on YouTube very happy to sell on MotionArray for an RPD < $ 0.10 ... ridiculous.
I still have about 15 years to retire.
Greetings, and thanks for the exchange of opinions.
30
« on: March 04, 2025, 09:41 »
Adobe Stock is the only one growing for me too, but it is not enough to compensate for the losses I have on all the others.
Adobe's performance is not enough to cover all the other agencies in sharp decline
But according to what you write you also did not upload much to Adobe, so it is impossible for them to cover the losses on SS.
But you can control what you do and certainly uploading more than 400 files a year if you want to seriously grow your income, should not be a problem for someone doing stock full time.
Cobalt, maybe you missed part of my message #1535 I'll write it again for you here: Since spring 2024, I started uploading 100 photos a month, 1200 a year. I think that's my limit. I don't think I can do better in my niche while maintaining good quality. I don't think I can physically do better than that.
With the new content I'm increasing my earnings by $30 every month. That's not bad. After 10 months and 1000 new photos, these last ones brought me 300$ in February. Unfortunately, the old ones (about 5,000 images) are losing more than 300$ a month, and this is making me realize that this business is becoming unsustainable.
Probably now, my break-even point is even higher than 1200 images a year.We'll see what happens after 2 years of 100 uploads per month. Remember: travel and landscape photography are different from other genres. It takes money and time (to travel) much more than in lifestyle or food. I don't know many portfolios with 50k of landscapes. If there are, they have a lot of duplicates and this doesn't raise the earnings much because each similar photograph competes with the others. I'm not interested in doing other genres. I don't like them, I would have to buy more equipment, set up a studio that I don't have... In my life I don't just think about money, but also about doing a job I like.I'm highly specialized in one genre. Maybe I'll start doing workshops, even if I don't like it very much.
31
« on: March 04, 2025, 08:31 »
I started out with AS in 2013. Still going and doing nicely. Last year seen a slight dip but, I didn't submit that much. Probably between 500 - 1000 files for the year. This year I will be doing a lot more so should see a return to the usual progression hopefully. I'm a FT contributor and have been since I started.
Adobe Stock is the only one growing for me too, but it is not enough to compensate for the losses I have on all the others. For example: with 123RF I earned $2900 in 2019 and in 2024 I made $124 ...  With Shutterstock I earn a third of my best years ... and (incredible) it is still my best agency. Adobe's performance is not enough to cover all the other agencies in sharp decline
32
« on: March 03, 2025, 10:04 »
I know many people who do stock as a full time job. With still increasing income. So yes, it is absolutely possible.
From what you are writing it sounds like you are absolutely refusing to move beyond what has worked for you in the past.
If you are doing stock full time, you can easily do something else instead of nature and landscape.
Show me someone who has been "doing microstock" for more than 8/10 years and has never lost any income. Give me their business name and show me their earnings over time. Maybe 5% is improving, but 95% is losing. If you analyze a trend you should not take 5%, but the majority. I occasionally follow many who publish their earnings, and none of them have improved their condition in recent years. Your vision is distorted for me because you started now, but you are still very far from my earnings and you still don't know how it will end. I can still do stock full-time. My complaint is for the negative trend that this business is taking and for a job that is becoming a sort of slavery.I don't do food, lifestyle or anything else because I don't like it and because my skills are in travel. My images are also used for other jobs parallel to stock (prints, premium content licenses ...). Today if you don't specialize, you don't get very far ... those who do everything do nothing.
33
« on: March 03, 2025, 05:13 »
So if you pick your niches well, you can continue to upload and make money.
...
But it is simply not true that stock is dead and you can no longer make reliable and interesting money.
Which is why I am documenting my process here.
Making money yes, but not to do it as a full-time job. It's great money to buy some equipment, take a trip, go out to dinner, buy a car ... All very good things for an amateur who does it as a side hustle. I'm talking about doing it as a professional like I did for over 15 years. Yes, I also have other photography jobs (selling prints and licenses from my website and PODs, some commissioned work), but for 15 years stock was my primary source of income and the work activity I dedicated the most time to. Stock is not dead, agencies are making higher revenues every year. But for us contributors, the situation is different because of the reasons I already explained in my previous post (increased competition, lower compensation rates, competition from free sites ...) I hope I'm wrong, but you've just started again and are building your earnings. Now it's increasing, but then the images of 2023 and 2024 will start to "age" and lose earnings. And the new ones will compensate for the loss of the old ones. You will touch your earnings "ceiling", and going beyond will be difficult. Your ceiling depends on how you manage quality and quantity. The better you are, the higher it will be. But growth is not infinite ... and that's the sad truth.
34
« on: March 03, 2025, 04:52 »
My old camera images created in 2008-2012 have increasing sales on Adobe.
Because you are uploading images again (after years), clients are discovering your portfolio, and maybe the algorithm is bringing your content a little higher in search. But if you have always uploaded consistently like me and have updated statistics of over 15 years of work, you will see that the earnings after the second year are a curve that slowly goes down ... Some photos can go up, but it is an exception. The important thing to look at is the general trend. Your 2024 images will have their "best earnings year" in 2025, and from 2026, they will start a slow and constant decline.
35
« on: March 03, 2025, 04:43 »
And for ai images being easier to produce, it all depends on what.
I struggle to upload 10 - 20 files a day, because so many details go wrong, which is why I am switching back to camera work or doing things in studio for many subjects.
So you agree with me: quality is needed, not just quantity.  But many others take other paths. Remember JustAnImage's post? "In 2024 I started with 35,675 files and on 12/31/2024 there were 49,052 - of which about 3,000 photos, 2,500 videos (AI and real mixed), 9,000 AI images. - in January 25 I had 322 DL so far - in January 24 (on the same day) I had 480 DL" 50,000 images and videos, and he has fewer downloads than me, who have less than 6,000 images. But quality takes time ...
36
« on: March 03, 2025, 03:44 »
And if it takes 500 good useful videos uploaded to each agency every month to see a sustainable increase in income then it will take 5000 good useful images uploaded to each agency every month to see a sustainable increase in income. It's even worse for images with more competition from ai, easy of copycats, much more saturation. So with that in mind, I'd say within the next year or two, you're going to need upwards of 10000 good useful images uploaded to each agency every month to see a sustainable increase in income. Keep rowing men!
It is very likely that 5000 per month will be needed, especially AI images, since today their production rate is 10 times that of photographic images (look for Jo Ann's post) because they are infinitely easier to make and copy. No need to travel, look for models, set up photo sets. Adobe's servers will explode ...  I wrote the comment above because many contributors focus on how much they earn with new images, but they forget how much they lose every year with the old ones. Usually the earnings of an image or video grow until the second year and then start to decrease. It is essential to understand the shelf life of your content. After almost 20 years of analyzing my statistics I can say that the second year is ALWAYS the best. 25% of the total earnings of a content is made in the second year, then a slow decline begins. For example, in 2014 I created 370 images that have earned me about $42,000 so far, in 2015 (the second year) with these images I earned $10,800 (their best year), in 2024, after 10 years, $600 ... a constant decline every year. Today, 400 images in the second year earn about $2,000 ... 5 times less than in 2014. And my retouching skills have improved significantly. For my quality and variety of images, I would need 2,000 a year, 5 times as many as in 2014. But keeping up that pace with the same quality and variety today is impossible. I can certainly make 2,000 or 5,000 images a year as Cobalt says, but to achieve this goal I have to send less attractive and more repetitive photos and this negatively affects earnings.
37
« on: March 02, 2025, 17:26 »
I am sorry, but for people doing stock FULL TIME as their total day job, maybe even with assistants, it is absolutely not unusual to produce 500 files a month.
How else will they make the money? These are the people with professional ports over 100k files, maybe even more than 200k if they have been doing this for 20 years.
What I wrote is valid for my niche, travel and landscape photography. Surely, taking lifestyle photos with people is much more productive; you can do many more. Same thing for holiday or food photos. For travel and landscape photography there are many more problems: it is expensive, you can't always control the light (it depends on the weather), you have to get up early in the morning and go late to dinner, and you often have to remove people, signs, and brands. Not all locations are photogenic and sellable. Some cities are saturated and do not sell anymore, too many images. And then you can't do too many repetitions of the same location. A portfolio with 100 images of 10 different locations with very high quality photos, is better than a portfolio of 300 images of 5 locations and photos taken like a tourist ... You should not only look at the number of photos produced, but also the quality which is very important. However, as I wrote, for a few years this has not worked anymore. It takes a lot more photos than 5 years ago. And it becomes unsustainable, there is not enough time and it takes a lot of money to travel. I think very few people succeed in doing this.
38
« on: March 02, 2025, 08:41 »
Actually just re-reading this and note 500 clips a month? Who in their right mind would bother just to see an increase in income? If this is indeed the situation today where 500 fresh clips a month is needed then it proves how sick this market has become now.
I agree with you. If the norm is to make 500 videos a month, this is a sick business. And in any case, they must be 500 good quality videos, they must be useful for customers and they must have different subjects. And you must do a bit of retouching and cropping, put good titles, descriptions and keywords. I think a single producer can't create 500 videos a month following all these conditions. I struggle to make 100 saleable, varied, and quality photos a month. Sure, taking 100 snapshots without retouching and uploading is very easy, but I think no one or almost no one will buy them from you. I have known this business for many years, and unfortunately, it has changed a lot due to some factors: - Increased competition - Agencies pay lower percentages on earnings - Open to all amateurs, with 90% of low-quality production, I would say "junk images" that are in huge quantity and limit visibility even to the best content. - Free image archives (Unsplash, Pixabay, Pexels ...) and websites with unlimited downloads (Envato Elements) - The arrival of AI and the possibility for customers to make their own content. In 2010, in just two years, I had reached a level of earnings good for living in a European country at that time (>30000$), uploading 400 images per year of very high quality. I maintained this production pace for 10 years, and my earnings were always constant. Some years I even uploaded less than 400 images. From 2020 onwards, things started to change for the reasons mentioned above. To continue this job, we need a break-even point. This break-even point is the number of contents produced in a year that generates enough earnings to compensate for what the old contents lose every year. (I hope I explained myself and that the translation did a good job). For many years, mine was 400 images. For those with lower quality or less saleable images, it could have been 1000 or 2000 images a year. Since spring 2024, I started uploading 100 photos a month, 1200 a year. I think that's my limit. I don't think I can do better in my niche while maintaining good quality. I don't think I can physically do better than that. With the new contents I'm increasing my earnings by $30 every month. That's not bad. After 10 months and 1000 new photos, these last ones brought me 300$ in February. Unfortunately, the old ones (about 5,000 images) are losing more than 300$ a month, and this is making me realize that this business is becoming unsustainable. Probably now my break-even point is even higher than 1200 images a year I will see in a year how it goes, but the feeling is that it has become a game for amateurs, to buy some equipment every year and have some dinners. Or for contributors from poor countries. It is no longer a place for professionals. (Sorry for any errors in the automatic translation  )
39
« on: March 02, 2025, 08:39 »
. error, sorry
40
« on: March 02, 2025, 06:47 »
February horrible.  Worst earnings since 2013 on SS. Downloads decreased only 5% from Feb 2024 and increased from Jan 2025 (+3%), but RPD is a disgrace: $0.42. My worst ever. No sales over $15 ... never happened. The only good news is Adobe Stock. I have always stayed between 2500 and 3000 in the ranking ... and made one of my best earnings ever. Unfortunately, this does not compensate for my losses on SS (which has always been by far my best agency and still is despite heavy losses) and other agencies. After 15 years, I am very close to ending my experience as a full-time.  It is becoming an unsustainable business. There is no room for professionals in this industry anymore. It is becoming exclusively an amateur activity to buy some equipment and take a few trips. I should increase uploads even more, but I can't. I have reached my physical limit. I am too tired and I get to the evening with little energy. The slice of the cake that the agencies take is too big, we contributors are left with only the crumbs, * them!
42
« on: February 27, 2025, 10:04 »
But are these removed files already present now in the "uploaded files not accepted" list, or will we find them starting from March 4th?
43
« on: February 24, 2025, 08:07 »
Only 1289 people in the world ahead of you. Very small number of people making a living at this while sales and income are dropping.
The estimated annual revenues from the merger between Getty and Shutterstock will be 2 billion dollars. Given the earnings of us, contributors, we can estimate that Adobe Stock also has 1 billion in revenues. Total 3 billion from the 3 main competitors in this market. And from 3 billion only 1000/1500 contributors manage to make a full-time salary? This is incredible in my eyes. But I wonder: Do the agencies take a slice of the profit too big or is the cake divided into too small slices?
44
« on: February 18, 2025, 16:25 »
@Uncle Pete I believe that all these numbers are useful to guide strategies. Profit is a consequence of strategies. I'll give you some examples. I have always sold a lot on Shutterstock. From my numbers I saw that Shutterstock's algorithm rewarded my very high quality photos. My best. With 10% of my photos (usually my best) I made 90% of my earnings. So my strategy was: few photos, but they must be the very best. I then made comparisons with the numbers of other contributors ( these are similar numbers, useful for the example). Me: 5,000 images $2000 on SS and $500 on AS Others: 20,000 images $1000 on SS and $700 on AS From here I see that Adobe Stock rewards quantity more and quality less. (Please note: this is for my portfolio compared to others in my niche) Then I see that Shutterstock loses customers and Adobe gains them and I lose positions in the ranking. So a year ago I changed my strategy, I increased the photos and worked a little less on retouching. My images have to be "good enough". And after a few months I'm getting my first results and my ranking (and my earnings on AS) has improved by 1500 positions. The RPD can then be used to establish how many images you have to send per month to achieve your goal. If my goal is $3000 per month I try to produce a set number of images each month based on the RPD. Every month I check how much the RPD of the images sent was in the last year or in the last 6 months. Maybe you see me get angry if the RPD is not what I hoped for, because I had set the goal with a higher number. And this forces me to shoot more and work harder. And this helps me to verify if a subject I photographed is better than another, to continue photographing it again or stop photographing it. The more accurate the data analysis, the fewer mistakes you risk making. Sorry for any mistakes, but it's Google Translate's fault
45
« on: February 17, 2025, 13:46 »
People are worshiping the stat Oracle, instead of the money and the images. Are we in business for money or for stats?
I think that to understand WHAT sells, WHERE sells, and HOW sells you need only one thing: numbers. Data analysis. 50% of what I earned is due to my images' quality and 50% from data analysis. Every type of data is important for something. I think I sell much more than you, I have almost 20 years of experience in this business. If you do it as a hobby and I do it for work, it's probably because you haven't taken care of the analysis of agency sales, your competitors' sales and the sales of your images. In addition to not improving the quality of your images.
46
« on: February 16, 2025, 12:57 »
Have to agree with the above. My January SS wasn't too bad even with the levels reset (not as good as before but better than any Jan under the "new" system.
Feb im seeing the same download numbers but despite having levelled up, ALL the sales are tiny. Im under half the RPD for last month.
Absolutely everything is a low value SOD or Sub. I have "sold" 2 videos though.... at $0.25 each.
Only SS (photo, no video) Jan 2025 RPD $0.57 Feb 2025 RPD $0.41 (up to today) RPD 2024 $0.75 Best month Jun 2024 RPD $1.25 Worst month Feb 2024 RPD $0.45 February is going terribly for me too. But it happened last year too. It was the worst month of 2024.
48
« on: February 13, 2025, 16:12 »
Thank you very much Cobalt, very comprehensive information (but I will have to choose another software because I have a Windows PC). Very kind
49
« on: February 13, 2025, 14:11 »
I think that's a very good way to find subjects that are best for both. Specific locations are the main attraction, but that doesn't stop anyone from seeing it as a good generic landscape as well. But either way, specific locations are a good way to attract specific uses. 
Selling generic landscapes is really hard for search rankings. Being at the top for the keywords: landscape, nature, and outdoor is like winning the lottery ... (although I don't know if there are customers who do such a simple search  )
50
« on: February 13, 2025, 14:06 »
you don't need fancy gear and lenses, also not really complex software.
Just take 30-60 seconds per scene, ater choose around 20-30 seconds, remember to leave 2-5 seconds for entry or exit, or in case the customers wants to blend several clips together and needs some starting seconds.
remove audio, export in your favorite codec, I use h264, works for me.
Many thanks Cobalt, if I learn how to clean the sensor from dust without destroying it I will try.  Or I will test with my iPhone 15 Plus or my old Sony A7RII ... What software do you use to cut, remove audio, and export the file?
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