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Messages - gillian vann
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276
« on: September 12, 2013, 05:23 »
if the family member signs a year long release I think that will cover you.
but you make a valid point, I've known the nicest, seemingly fair minded (and christians to boot) who betrayed and sued friends. awful. anyone outside my immediate family signs a new release for each shoot.
277
« on: September 12, 2013, 05:18 »
RPD makes me feel better. I agree it doesn't mean much. however, I do sell different stuff there. my port is largest at DT (despite the irony of the similars policy, they accept lots) and quite varied.
278
« on: September 10, 2013, 22:48 »
how could I not have heard of the race to the bottom... it's all people talk about around here. They've also been predicting the fall of iS for a number of years.
Supermarket chains do exactly this to squeeze out independent competitors, they drop prices ridiculously low on certain items (esp f&v) knowing they can cover their bottom lines with other products. once the competitor is gone they can slowly increase prices again. (actually they don't increase prices, they reduce of the size of the product so you don't notice).
279
« on: September 10, 2013, 22:37 »
^ perfect. much faster than asking iStock (and then analysing the response for truth Vs spin)
280
« on: September 10, 2013, 22:33 »
I nearly had a fit yesterday when I sold an XS- and got 50c.
I have a fit every day at FT when some XL sells for peanuts. I've stopped uploading there.
281
« on: September 09, 2013, 06:19 »
That's a good point. I've re-edited a few files recently from 2-3 years ago and found that I do a MUCH better job now. The idea of not being able to tweak existing edits still worries me, but perhaps it's unlikely to ever actually come up (at a time after I've given up the subscription). Still undecided, though.
you should trust your instincts - you'll not want to go over the old edits, and your new self will want to start from scratch.
282
« on: September 09, 2013, 06:10 »
RPD is good, which is why I continue on.
283
« on: September 09, 2013, 06:08 »
well I just sold an XL file and earned myself 27c, let's break out the champagne!
how much longer will we all take this? I hardly upload to FT anymore, but it hurts to see niche shots selling so cheaply.
284
« on: September 09, 2013, 06:06 »
yes, it's a bit odd, but works well in the case of family and friends that you regularly shoot.
I often will upload to DT first cos I know there's no MR to fill out, so it's easy. For iS, even for my own kids, they want a release for every single time I photograph them (which is probably about 100 times a year).
a lot of agencies will accept a year long release for family members
285
« on: September 09, 2013, 06:03 »
has anyone had and FB related sales yet?
286
« on: September 08, 2013, 19:56 »
Stocksy being your 2nd or 3rd best agency I understand (for real), believe I would be delighted as well just wouldn't express it so romantically 
yes, I suppose, or maybe you'd be so high on the love over there you would change the way you think, and be inspired and grateful to be part of the community... and end up a bit romantic about it
287
« on: September 08, 2013, 19:51 »
Nope, that doesn't work if you want to go back and tweak your edits later. Unless you save a layered tif, which is much larger than a .psd (and may still be missing some of the edit info).
often though, if you go back, say a year later, your style and way of doing things has changed enough to warrant starting the edit from scratch.
288
« on: September 08, 2013, 19:43 »
just dropped a tear 
! LOL I know how it sounds, and yes, sometimes it's a bit too happy clappy, but then I can come here and have arguments with almost anyone and balance is restored.
289
« on: September 07, 2013, 18:52 »
Stocksy has become my #2 or #3 agency very quickly. I've slowed down uploading to the others as most of my lifestyle stuff works well for Stocksy. I've got just over a 100 files on Stocksy, compared to 400-500 on the others. There is an almost family-like atmosphere over there, and I've even emailed a few members and given them keywords they've missed off their files, and I've had a member email me and point out an error in my description. That's pretty scary stuff to do but it's what friends do for each other, right? That's how it feels over there.
290
« on: September 07, 2013, 17:42 »
des Bridge & ACR.
The catch is only that if you stop paying sometime down the road, you'd better not need to access any of the intermediate files that you saved. Unless you start paying for CC again, but then you'd have to pay a higher monthly fee (since if you stop once, the deal is done).
yes, they've well and truly got us, haven't they? but $120/yr for Photoshop and Lightroom seems like a bargain. Even if you do what many of us do: upgrade every other year, it's not much of a price change.
291
« on: September 07, 2013, 17:24 »
Adobe is messing with our heads with their confusing names. So they include Photoshop in the name of LR, just to confuse buyers? (or trick them?) You don't buy a "BMW 318 X6" Nobody cares users don't care what engine you built your software on, nor how it all works under the hood. No one else here would think they are using ACR when they are in LR, cos they don't know what's under the hood like you do. When you go into Develop Module are you hitting a button that says "ACR" actually it appears to be just known as "Camera Raw"? How would a user know this? The point is that ACR is not (to be considered as) an application. why not? are you going to tell me Bridge isn't an app? I launch ACR from Bridge, NOT from photoshop, even though you keep saying ACR is PS, even though if you open PS how do you get to ACR? oh right, through Bridge..... This is just more confusing naming by Adobe, hiding ACR in Bridge, but they must have their reasons. *probably selling a program called LR - sorry, Adobe Photoshop Lightroom, is the reason*I get where your head is at with all of this, but you've got your head under the bonnet. From a users point of view you can either use Bridge/ACR and then Photoshop or LR and then Photoshop.
292
« on: September 06, 2013, 19:34 »
I submit a lot of series, mostly from model shoots but also sometimes from food sessions or road trips. I submit batches of 20 at a time, and generally have them all accepted. As long as the images are sufficiently different from each other (more than subtle differences in composition), you shouldn't have a problem with most agencies. At least that's been my experience.
I would have said: "you should have problems only with Dreamstime"
yes, +1. if you haven't read the many threads here about DT you will have to find a different strategy for them. don't use exactly the same keywords, description (even though it's so easy to just populate from previous images, that's a trap). you may submit 3 and have 1 rejected. Seems like they just can't help themselves so I always submit extras - buffers that I presume will be rejected. I've uploaded 2 and had one rejected cos "you already have several similar images". I've also had a batch of 5 ALL rejected for being too similar, so then had 0 go through. I found it hilarious.
293
« on: September 06, 2013, 19:24 »
does it still include Bridge/ACR?
I'm def interested as I'm on CS5 and for an annual fee of $120 this is a great deal to get PS, ACR and LR. I'm looking for the catch, but we're all going to be forced into CC at some point so we should take this olive branch now, right?
294
« on: September 06, 2013, 19:22 »
^^^
But have you ever used ACR seriously? I mean, did you used it enough to be able to speak about it (in good or in bad)
back at ya  I'm not angry, just annoyed that you keep replying to a question that wasn't asked. you keep comparing LR to just Bridge or to PS, which suggests a lack of understanding. Honestly, no one has come along yet who has switched from ACR to LR or viseversa. looks like with the $9.99 offer from Adobe I'll be switching to CC soon enough, and I can't see if ACR is going to be included so I may well be forced to switch over to LR. I'll let you know how that works out
295
« on: September 06, 2013, 06:24 »
wow, as usual even the Adobe guys downplay the similarities. Because, they want to sell you Lightroom rather than have you use their freebie
in LR you can *amazingly* choose what to import.. wow! except, yep, same in Bridge, but he didn't click on the "advanced" tab to show that option, which I use all the time, plus the fact you can create templates to apply metadata to your imports. although apparently "these are things LR excels at" even though you can do this in Bridge.
If you use LR you have to import images somehow, he didn't cover that. that's an extra step in your glorious LR workflow that we'll gloss over, and then you have to import them into LR? so you import it via a card reader? and then into LR? seriously?
Yes, the preview viewing of the presets is a real difference. phew! glad I found something genuine.
I'm not sure about the "print" function... is this for printing on your home printer? (are we talking about photographers? or home amateurs? i'm confused, because this guy says "this is where LR shines"..... in enabling you to print your pics from home?? wowser! it looks like the same feature iPhoto has)
if you want to put pics on a page to print at home (for whatever reason) I would use the output pdf feature and it's easy to put them on a page, with labels, watermarks, etc. Plus my stupid canon printer is happier with a pdf. I rarely print at home, unless it's last minute stuff for one of my kid's school assignments.
it's the comments like "and if I haven't convinced you by now" that really, really annoy me. cos actually, I haven't seen anything other than fluff.
the Collections things was cool, but I could just create a folder and put in my favourites bar... same result. then he created virtual copies which I can do via "duplicate". "a lot of this can be done in Bridge but nowhere near the ease..." I didn't see much difference. I could create a duplicate, go into ACR which is "Develop" and then hit one of my presets.... yet he didn't show you how to do this in Bridge.
ah, I love that now they are pushing the "use both" concept, now that CC is their agenda. good one Adobe.
296
« on: September 06, 2013, 05:44 »
is he doing something wrong and you'll hope someone will notice and rat him out?
is he secretly you? or Sean? or some other nemesis?
and could be a woman but you've already said "guy"... but, wow, what a port! I've got 3 gorgeous girls to shoot, I feel so lazy looking at this port.
297
« on: August 31, 2013, 17:07 »
Interesting input Gillian. Now I'm tempted to spend some time trying out ACR & Bridge again just too see.
I see that VSCO presets are also available for ACR.
I think only the latest version of ACR though, I was looking the other day and there weren't any for my version (I'm using CS5). In the end I got some VSCO-esque PS actions. I'd love to see if the VSCO presets work as well in just ACR. usually I like to brush the effect off the skin. your "these days" comment is also weird, I learnt ACR in 2010 on CS4 and there were presets then.
298
« on: August 31, 2013, 16:51 »
Yes, I have used ACR and I turned to LR coz I dont like the interface. No need for all these little jabs.
I'm sorry if you feel I'm having a go. I must confess i had a chuckle though, at you saying that. Cos you are so sweet and never niggle other people...
299
« on: August 31, 2013, 16:43 »
Lightroom presets offer a significant advantage vs Photoshop CS.
the OP didn't ask for the difference between LR and PS.
In a way he did. Because it all intertwined.
you can use just ACR if you want to. ACR and Bridge are intertwined. I open Br just like you open Lr, make my edits and either save directly from ACR or I continue into PS for further editing.
300
« on: August 31, 2013, 16:39 »
An advantage of this sort of editing vs Camera RAW in PS is that the processing steps are saved and can be changed. You can go back to the RAW file and all of its processing and adjust a particular value setting which forms part of the processing.
Or you can apply all of those same processing values to, say, all of the other files in a particular shoot.
ditto in ACR, you can jump back into ACR and make some changes, and then return to PS and the changes will be updated on the files you're working on. (have you guys even used ACR?) here's a big difference: ACR is free. It comes with PS. So if you're using PS you already own ACR. another difference: LR is groovier. It looks better. ACR still has a clunky look about it that is a bit PC-ish. another difference: LR has some some great options for showing off different edits of your files v quickly. another difference: there are more presets available for LR than ACR (I tend to do creative styling in PS where I have greater control)
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