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Messages - PixelBitch
76
« on: December 15, 2009, 12:29 »
This is a great part of the world to be...we are over the other side in San Rafael...beats . out of south London any day i'm in the east bay!
77
« on: December 15, 2009, 01:43 »
One view of the situation...
78
« on: December 14, 2009, 23:01 »
Thanks ap...much appreciated. I just did the first upload to them today through iSyndica...very fast to submit once the images are there...I have quite a queue waiting with their 25 a day limit. Guess it's worth a try...you seem to do well with them...fingers crossed Getty don't kill them. You are in California also...where abouts? I'm in the Bay Area. it must be difficult to decide what to do with StockXpert, but i'm still getting ppd from them (even today). so far this month, they account for 12% of sales equaling ft+dt+cs+123 combined. i think everyone's port does differently, but i've been really lucky with them.
also, their uploading is super fast, no need for categories.
79
« on: December 14, 2009, 16:43 »
Thanks for the heads up...I've read the comments on Crestock for a few weeks now and deleted my pending images a while back...this morning's news about the new Getty sub site does not seem like it makes uploading to StockXpert worth the trouble...just got approved this morning. It's looking doom and gloomy for Crestock too - getting my payouts once every 3 months instead of once a month is a huge red flag. I'm glad they're not a major part of my income.
If stockxpert goes that will be a huge loss. Getty would be foolish to lose them, as the most popular free site, http://sxc.hu points right to it as "premium search results" when designers are trying to find a certain image. Brand identity/awareness is well established with the stockxpert/xchange brands. Never met another designer who wasn't already familiar with them.
81
« on: December 13, 2009, 21:16 »
I'll look into Stockxpert...thanks for the pointer...the reason I've not done so yet is the uncertainty now Getty own Jupiter...a few people seem to be concerned for the future of StockXpert. stockxpert? will certainly do better than 123rf, bs or canstock combined. sometimes will even beat ds or fotolia.
i don't think any particular category excels. i see so many people images with 0 downloads across the board and i wonder why. i think you just need to do the category really well. a good picture sells a thousands times.
82
« on: December 13, 2009, 20:51 »
Like any attentive and sensible businessperson, he is exploring new markets for his images, assessing how much to invest in light of the returns...and whether it is worth it...no different from myself and quite a few other macro guys who have seen our macro RF cash cow starved by micro... Why is JJ even submitting to micro if it is so lucrative on the other side?
83
« on: December 13, 2009, 14:12 »
Thank you Jonathan, I think this says it all very clearly and succinctly. I agree there is a place for all 3 business models...we all just need to find our place in there. Hi Gostwyck,
You said if you are not at a company than the comparison is meaningless, I disagree you don't have to be with an agency when we are talking numbers, strictly numbers. Yuri is now focused on Macro this year big time. Monkey business is about to release something that changes their complete distribution structure to expand. Beside they are a rep, they represent photographers they are not their own photographer, they asked me to join them. I have been in the business much longer than they have by a long shot with personal sales in Macro and I do not split my returns with other photographers like MB does. MB is making a good move but they had to go to representation to make serious money. I make a great deal more than $200k a year by multiples of that number on my own ( not bragging just trying to share a point ) I also said that my acceptance rate is 95% in Macro. They take everything I give them, more than Micro does. If you have ever read one of my posts here on calculating figures you will find I am one of the biggest advocates out here about talking NET figures, it is more often the Micro guys that don't take the toilet paper into account. I account for even that. How did I become a Getty shooter or the other thousands of people that shoot for them? Do we posses some special E ticket to the fun park? Nope just hard work, a solid education in photography as well as being highly motivated. You will find the highest payed shooters almost "all" share these three qualities. There are a few that are not formally schooled but it is rare. I never wrote this as a slam on Micro but like someone said earlier it looks like the Micro people are starting to become just as accusatory as the Macro groups these days. I was just sharing that there are three tiers that work together after there were very poor comparisons made between Macro and Micro by using Alamy which is not even considered as a direct outlet for images by Macro shooters. Sure I might have photos up there but I didn't put them there one of the distributors might to add to my revenue stream. really please don't be offended and do some studies a lot of this will show I am correct. Yes there has been a tremendous fall in Macro over the past few years ( due in part to Micro ) from $1500 RPI over lifetime to $400 over lifetime but the return is still much bigger than Micro if you know what to shoot and how to keep your overhead down to a small number. I spend $50 dollars a shot NET and they average $400 NET in their life. I have Macro "RF" photos that have made $14,000 in their life. If I had produced 3500 new shots for Macro instead of Micro my per image cost would have doubled but my return would more than make up for it. 3500 times 400 equals $1.4 million dollars. I don't expect I will ever see those numbers in Micro from 3500 images, at least not what I have seen in the year+ that I have been involved ( I have made just over 55,000 in the first year at Micro, one dollar per image short of covering my overhead per image on all 3500 images ) that would be an annual RPI somewhere around 15-16 dollars a shot, no where near what Macro returns my efforts. I don't dislike Micro that is why I am here writing and adding images to the market I just wanted to compare apples to apples and show that there are still three healthy tiers for photographers to choose from, it is not a battle between models. Micro might be a good device for selling motion since the use will be almost entirely web based so there are lots of good opportunities in Micro. But more than that, if you like it then that is the best reason of all to stay in your comfort zone I also looked strongly into Micro adding 3500 images at 10 agencies so I think I probably have a pretty good observation point in all these markets as a private photographer. One last thing I am co-owner in two Macro sites so I have some great access to numbers in this business from hundreds of photographers right off the spread sheet. This also helps me arrive at my previous statements. I am sorry you disagree. Bad information is not good for anyone. I will still say it, there is room for all three tiers and this is not a war between those tiers. I am sorry this was not clear. I hoped I was able to make my point a bit more valid.
Best, Jonathan
84
« on: December 13, 2009, 13:17 »
Although a long time macro stock guy, I'm new to this micro business and just wanted to share a few observations and see what experiences fellow newbies are having.
First uploads were in late September, now have several hundred nice enough people images on 15 sites. From looking around the sites I would say that my portfolio has a narrow focus compared to most...many contributors have still life, landscapes, backgrounds as well as people.
Shutterstock...they are wiping the floor with everyone else for sales, both subs and On Demand. 62 percent of images have made a sale...some several dozen times. 614 images to date, 999 downloads in 10 weeks.
Dreamstime...second place...only a few cents ahead of iStock but 4 times as many images.
iStock...3rd place...only 144 in port so far...second highest average sale. Thank the Lord for DeepMeta as their upload system is arduous.
Veer...4th place...slow but the highest average sale...high hopes for them as their site is great
Fotolia...5th place...a disappointment for me, do not come through yet as they seem to for others...can't get the hang of their categories and the keyword priority system is a pain...would be further ahead financially had I not bought the Starbucks lattes I needed to keep myself awake while submitting.
123rf...6th place not far behind Fotolia...same number of sales but a little less money.
BigStock...lacklustre...others swear by this site...I swear at it.
CanStock...only joined 3 weeks ago and a few sales already...most people seem disappointed by them but they seem off to a reasonable start for me.
No sales at all yet on others but am persisting...will give it 6 months and see where to keep uploading.
What are other artists finding? What strategies do you follow? Is it better to focus on one area or spread your wings to other types of images?
85
« on: December 09, 2009, 17:55 »
Which strikes me as odd because Getty were the ones who freed us from agency/photographer exclusive agreements when they bought Image Bank and others, and we became image exclusive...now it seems they are heading back to the dark ages of servitude. Why don't they do what they would really like to and make IS exclusive only? It's clear to me that they have been on the path to exclusive only ever since Getty bought the company. Every move they have made leads in that direction and they haven't come right out and done it in one swoop because financially it makes better sense to do exactly what they are doing. But one way or another you can believe that that is the final goal.
86
« on: December 09, 2009, 17:29 »
That article is totally simplistic...and unrealistic. Mind you, I had one 'interested party' try and tell me that if I were to place 400 macro quality stock images on the micros I would rake in 10K a month...somehow I think those figures are in dire need of revision.
87
« on: December 07, 2009, 23:38 »
DeepMeta that runs on Snow leopard became available today...just testing it this evening...it's a breeze to use at my end...with a bit of luck it will work seamlessly and save the ordeal that is uploading to iStock through their site...first image and release uploaded fine...14 more to go...keywords and categories went in OK...fingers crossed! Lisa, DeepMeta is so easy, fast and convenient...
Well, the program itself might be easy, but here's what Mac users have to contend with...
Monday, October 05, 2009 DeepMeta v1.4 Beta 6 available for Mac Try out the latest test version of DeepMeta for Mac OS X. Also required for some server changes at iStock. (NOTE THE DATE) _________________________
Mac with PowerPC processor DeepMeta cannot run on PowerPC Macs. There are no current plans to add support for PPC. Sorry.
Mac with OS X v10.6 (Snow Leopard) The current test version of DeepMeta does NOT work on OSX Snow Leopard (v 10.6). We hope to resolve this soon. Thanks for your patience.
___________________________
For the test versions, you will first have to install the "Mono Framework" for Mac OS X (you find it on the same DeepMeta download page). You only have to do this once. For upgrade to subsequent versions, you only need to download the small DeepMeta.zip file.
___________________________
Some Mac users are going to have issues. I'm not sure I want to troubleshoot the software for free. And awhile back, even DeepMeta uploaders were having issues.
I'd rather spend my time shooting and uploading. When the IPTC data doesn't work AT ALL on istock I'll figure out what I want to do then. Until then, my workflow works ok as is. No third party software installations necessary.
88
« on: December 06, 2009, 16:42 »
I've noticed this difference in appearance of images on each site...all my images are done with a calibrated monitor and using Adobe RGB profile...I think each site has it's own file processing standards...which are inconsistent with each other. I've heard that the best approach is to assign each image the sRGB profile then they will look more consistent across the micro sites...does anyone do this? RT wrote:
Take a shot of a popular subject and upload it to any agency, then go to that agency and do a search so that your image shows up amongst many similar others, if your colours look OK you're done, if not adjust your monitor.
You are right . . . after getting the calibration reasonable corrected. What drives me crazy is that each site presents the images a little different. It seems to me that images on SS have slightly more contrast then IS, and DT kicks up the sharpening which brightens the image . . . . or am I seeing things?
E
89
« on: December 01, 2009, 11:52 »
Looking at the regular Veer site I see that they have better images on micro than regular RF in many cases...I think they will be a winner if we all stay with it. Sales were OK last month, I don't expect them to suddenly rival the big sites, it will take time. Compared to all the other new sites I have tried, they are doing well. I expect more from them because they have the Corbis connection but we will have to see if they really want to push microstock.
90
« on: December 01, 2009, 11:11 »
This is exactly what I am finding...no sales since mid November...quite a few views though. Also finding the the average sale on Veer is the highest I'm getting on any site so far...higher than iStock. I see two very pronounced periods of activity in my Veer views+sales chart. It suggests that Veer did some kind of promotion that generated bursts of views and sales that lasted 3 or 4 weeks then died. My big sales happened between mid Aug - mid Sept, then again from mid Oct - mid Nov. Veer has been completely dead for me in both views and sales for the past two to three weeks. Do your stats match up with this?
If this theory holds true, that we generated sales during a period of heavy promotion only to see everything vanish when marketing activity ended, Veer will have a very tough road ahead. To succeed, they'll have to sink a sizable investment into consistent advertising and get market share from the big players.
91
« on: November 25, 2009, 12:50 »
The general rule I abide by with RM and Macro RF is that if it is the same model in the same location and wearing the same clothes then it is a similar, a slightly different angle on the head in the same situation is regarded as a similar, this is just plain common sense and also protecting your investment in the macro images. RM images are generally placed on an image exclusive basis, that is the whole idea behind RM, exclusivity,...to try and place those same, or similar, images on a micro site is not only irresponsible but also a potential breach of contract with the rm agency.
* sigh
If you upload the same stuff to an RM site, that you have on istock for 1/10th the price then no, it won't work for you, and you're also giving company 2 a bad name, since a client really doesn't want to pay out all that money, and then come across the same image on an rf site at a much cheaper price..
Pick a price for your individual and unique image, then go find the sites that reflect that price..
I would hope so, but then there are pricing discrepancies across the board for the same image, but the guys head is turned slightly to the left or whatever (it doesn't break the rules, but still why is the client paying extra $$ for something that is almost identical as another image in the photogs RF portfolio).. or if you make vectors, you would make a new one for RM, that in reality looks the exact same as what you already have on RF..
The image exclusive standard has been made a lot more flexible on RM in recent years..
92
« on: November 25, 2009, 11:15 »
RM images are generally placed on an image exclusive basis, that is the whole idea behind RM, exclusivity,...to try and place those same, or similar, images on a micro site is not only irresponsible but also a potential breach of contract with the rm agency. * sigh
If you upload the same stuff to an RM site, that you have on istock for 1/10th the price then no, it won't work for you, and you're also giving company 2 a bad name, since a client really doesn't want to pay out all that money, and then come across the same image on an rf site at a much cheaper price..
Pick a price for your individual and unique image, then go find the sites that reflect that price..
93
« on: November 24, 2009, 19:17 »
I can't say it is doing that wonderfully...down like the rest of the market for stock images...but it is a good long term investment...images I shot in London in the mid 90s are still coming through every couple of months with high sales...RM doesn't tend to get swallowed up by a mass influx of new images like RF does. If anyone is finding macrostock a success, I'd be surprised if they wanted to broadcast it here.
Oh I wouldn't be surprised if someone does come along here and tell you how wonderful his RM is doing on macrostock 
94
« on: November 24, 2009, 15:08 »
You can be more adventurous and take more risks shooting for Macro stock...they appreciate it...and they treat you like an intelligent being and not a supplier of fodder for the machine. Give it a try...you'll like it! How has macrostock been working for you guys? Any reports?
I was thinking of making some special stuff for macrostock to try it out...unfortunately I don't know anything about it. I heard a rumor that they treat people nice.
95
« on: November 23, 2009, 15:37 »
None of the above...try iSyndica Which is best? Stock Photo Express, ProStockMaster or Cushy Stock?
96
« on: November 23, 2009, 13:08 »
yes, our beloved Democracy and Freedom of Speech...which only applies when you happen to agree with the corporate dictators. some people have been removed from sites in the past because they made comments they probably shouldn't of.
Famous american democracy! 
97
« on: November 22, 2009, 19:36 »
Any creative material is like that...we are told what is good and bad by the people who stand to make the most money from it...and the critics usually go along with this regardless of how lousy the artwork is...the vast majority of people are visual illiterates...why should photography be any different. And to think I thought the difference was one charged a lot more for images than the other.
I may be cynical but I've always thought macro-stock has a big element of the "Emperor has no clothes about it" - put a high price-tag on something tell people its good, and they will buy it no matter how tasteless and awful it is. Sorry to say but Yuri's examples in this article prove that for me.
98
« on: November 22, 2009, 14:27 »
Another point of interest here is that Yuri states he is getting a similar RPI from Getty as from Micro...the important difference is that the earnings are from one Macro site as against a myriad of micro sites...with all the attendant work involved with their sometimes convoluted and time eating submission procedures.
Micro is probably the least return for the most amount of work and time.
99
« on: November 22, 2009, 12:49 »
Yuri's article is extremely illuminating...some of his images accepted into Getty are a hell of a lot more interesting than the usual bland and generic micro you see by the millions...he has looked at the subject in a different way and it has paid off for him. Clients go to Corbis and Getty for a more unique, varied and interesting selection of images than can be found on the look alike micros. We shoot RM and RF for Corbis and Getty...no doubt some of that work would be rejected by micro sites...but then again, if we put a lot of ourselves into producing a set of images there is no way in the world we would consider submitting them for micro. I still have good RM images from the mid 90s selling well on Getty...outselling more recent RF we have placed with them. Yuri just made an interesting post today about the difference in Micro and Macro imagery.
check it out http://www.arcurs.com/what-is-macro-stock/
I would have to agree - some of the images he linked would be rejected in a flash at a micro agency. Yet, they are gobbled up by Getty and sell well.
100
« on: November 21, 2009, 10:25 »
I imagine they charge by the estimated bandwdith the average image or video uses when they distribute...perhaps the files sizes differ by a factor of 10. PicNiche is good but it does tend to take over my Firefox browser window. Yes Pixelbitch, I don't know why Shutterstock earnings, at least the daily total, can't be represented in the analytics display, a simple plugin ( an excellent) like picniche does it! I think the prices are ok for pictures but really high for video: 10 cents for uploading a video at only one site is expensive and the space storage is actually ridiculous: 20Gb for 10$ per month and you rapidly need to buy credits if you intend to upload more than 10 video per month!! I think the storage space must be at least x2 or x3 for the same price and the uploading credits for video 5$.
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