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Messages - pancaketom
Pages: [1] 2 3 4 5 6 ... 91
1
« on: May 10, 2025, 16:29 »
I think pliers was how I got a filter ring off a lens I dropped. It was not so easy, but I did get it off and the lens was ok. The filter was toast - but the photos taken with a shattered filter were surprisingly good - probably wouldn't pass microstock review at the time though.
2
« on: May 01, 2025, 01:23 »
I do hope this isn't a complete pivot by Adobe in the direction of autospamaiuploaders.
I had as many sales today on DT as I have had on Adobe all week and more $ - definitely not normal - both an atrocious week so far on Adobe, and a rather good day on DT.
3
« on: April 30, 2025, 19:11 »
Thanks for coming here and at least telling us that this is a change. I totally agree with the suggestions in the link - that doesn't seem to match the similar rejections I have heard about or seen.
For example - I take a lot of mountain photos, and to some extent all mountains look alike, but just because I have a photo of mount Everest doesn't mean that a photo of Mount Washington is similar and should be rejected - or maybe Adobe thinks so, in which case that would save me trouble uploading there.
As far as rejecting images that are similar to images that someone has already submitted, that means that the people who managed to get them accepted recently are at a significant advantage. I have images accepted years ago that sold well for a while, but then got replaced in the search by more recent similar images others submitted. It would be nice if I could get newer replacements accepted so the sales could come back, or the algorithm could favor the original images instead of the similars that got accepted before the latest anti-similar crusade.
I won't post any examples - there are plenty to be found though of really egregious portfolios. When people that carefully select and keyword images to upload see them it makes a mockery of any pretense of reasonable review. Sure, bad images are going to slip through and good stuff will get refused from time to time, but the sheer volume of some of these really makes one wonder.
4
« on: April 22, 2025, 17:13 »
At 100/day "unlimited" downloads and 50% of $20 per month splits out to as low as about 1/3 of a cent per download for the contributor. Now that is exciting news, especially if it is for video.
.38 per download was pretty good, in fact over 100 times better.
5
« on: April 20, 2025, 17:08 »
looks like at least as low as ~$33/mo for unlimited downloads.
How much do you think you would make as a contributor out of that?
6
« on: April 14, 2025, 16:19 »
For anyone who has had files removed and can't work out why, please can you check to see if they were duplicates? Do you still have the same files in your portfolio, with file numbers that are different to the ones that have been moved to the Not Accepted tab?
Maybe I'm missing something, but how can we check? I don't record the ID numbers Adobe assigns to files and there's no way that I know of to check back on what files I've uploaded after they've gone through the review process.
I've dug through the 2 my husband got rejected and notice there is one image in each batch uploaded (1 batch of 6 uploaded 9.20, the other batch of 8 uploaded 4.19) that is missing from his portfolio. Is it possible an image got double tapped while uploading? Possible, maybe, but at this late date there's no way I could know for sure without having a accept/reject list from those dates.
At least for the files that I have noticed were removed with duplicates, if you find the file in the rejected list ( https://contributor.stock.adobe.com/en/uploads/rejected ) - sadly you need to look at them all to find which ones were removed via audit because obviously it would be too hard to let us search by rejection date or tell us which images were removed when they send us the letter. mine were listed as rejected for "audit removal: incompatible with terms" - note the image id # and then go and search for the image in the whole database or more easily in your own port and if you can find it see if the image # is different.
7
« on: April 13, 2025, 16:13 »
If the images are actually duplicates say image #x was deleted because it is identical to image #y.
I totally agree the vague guidelines reason is very unhelpful. I followed the guidelines link and went down a little bit of a rabbit hole...
here is what they say for metadata non compliance:
"May not contain or reference names of real known people. May not contain or reference fictional characters."
Now with the rapid approach of Easter, take the name "Jesus". We will leave out the discussion of if this is a real or fictional character since neither is allowed in the metadata.
But when you search on Adobe Stock.... "1,492,551 results for Jesus in images" of which ~500,000 are AI generated so only a few years old. Clearly someone is not following their rules. In fact, if you search for almost any somewhat famous historical figure you get results that are not editorial.
If you follow their link to what is allowed and not allowed, searching on the listed not allowed fictional characters commercial only:
9,975 results for spiderman in images 6,521 results for pikachu in images (although these mostly seem to be machu pichu) 1,759 results for catwoman in images 32 results for gandalf in images 17 results for Daenerys Targaryen in images
These are the specific examples they list as not allowed in the metadata and yet there they are. There could be reasons why something could be legitimately in the metadata - for example "Newport, OR" as listed below, but some of these are just blatantly against the spelled out rules.
8
« on: April 12, 2025, 14:59 »
I found one that was a lake removed for "incompatible with terms" - not sure what terms it might be incompatible with. I might have a typo for "Sierra" that is "Seirra" - maybe that is a bad word in some language? But a search for "seirra" reveals 17 results for seirra in images but over 3000 in premium. It is still visible if I search for it on Adobe but not under seirra.
In another note, I saw an image I sold a few days ago is now in the rejected pile. It still shows as 21 sales in my dashboard sorted by downloads, but no longer shows up in my recent sales under insights. I don't know if the $ for the sale exists anymore, I don't follow things that closely? The rejection is for IP - which is probably valid in a sense but it is a common enough object for which there are still millions in the database. I still have a few similars with sales, so don't want to draw any extra attention to those. I will miss it's sales though.
edited - I did a bit more poking around - the .png was rejected probably back at the original time of submitting, the .jpg is still there. I guess the recent sale was refunded or cancelled or something, but I did see an older one, or maybe I was wrong about the recent sale.
Adobe - and really all the sites do a pretty horrible job of reviewing and communicating the results to us. Not that this is an easy thing to do, but they could at least send us an e-mail that says we removed these images with a list of the images removed and the reason rather than expecting us to look through our rejected images list (mine stands at 439 right now) and try to guess which are new rejections and which are old - especially if they change the rejection reason to include AI for 8 year old images. I can only assume it is some sort of search and destroy program that is mostly doing a lousy job (as far as I can tell other than exact double images in the database). But they have enough images they won't miss the deleted ones - even if there might be a few less sales.
9
« on: April 09, 2025, 15:29 »
While you might make ok $ for a while it is another step on the way to the bottom. First it was from .38 to .10 and now it is to who knows what, but probably something tiny. The real danger is if this actually works for SS and pulls buyers from other sites - who will bring in their own unlimited download plans and we will get less while our entire ports end up stolen for peanuts. They probably won't tell you how many thousands of downloads there were, just "exciting news - you made a few bucks with the unlimited downloads program". Hopefully everyone with a decent port opts out and they have to sweeten the deal and disclose more details or even better just give up on the idea. Knowing SS I doubt it though.
10
« on: March 29, 2025, 14:10 »
reminds me of the old joke, "how do you make a million in stock photography? .... First you start with 2 million."
It is funny how they follow almost the exact script. I can only imagine how much worse this sort of scamming will become once it is all "AI" automated.
11
« on: March 25, 2025, 12:32 »
I've got 6 mo, 4 mo and 3 month waiting files, the rest seem to get reviewed in a few weeks. I had a few more in the 2 month range, but they did get reviewed. No obvious reason why these particular images seem stuck, but they aren't particularly seasonal or ones I expect great sales so I'm not too bent about it.
If I waited for the 6 month one to get reviewed before uploading I might never upload again.
12
« on: March 14, 2025, 02:26 »
There is certainly a factor for luck in this. My best seller on SS by a wide margin was a fireworks photo - it was a good photo which I spent a fair amount of time cleaning up so the background was pure 000 black but there were plenty of other images available that were just as good - some by me. The thing that made this my #1 seller was the day I uploaded it - a few weeks before July 4th I think (or maybe it was a few weeks before new years) SS had a glitch in their indexing and didn't index any new images for a few days. The luck factor for me was my image was on the first row for "fireworks" sorted by newest first. In those 4 days it got enough sales so that it got onto the first page for a best match search for "fireworks" and it stayed there for 3 years, often in the first line. Then one day SS changed something to favor images that were more pixels or from newer cameras or newer images or whatever and it dropped out of the first few pages of search and went from a few to 10s of sales a week to a few sales a year. The end. This image sold a few times on other sites, but never got the traction it did on SS.
So I had a decent image and I uploaded it at the right time, but I also got lucky. You can't get lucky if you don't have decent images uploaded at the right time, but you still need some luck. Of course the more tickets you buy the more likely you are to win, and hitting niches or timing things well will help too. Steve certainly does that - for example his covid theater marquee sign. A good idea done well at the right time.
13
« on: March 11, 2025, 21:30 »
It's all about the ranking. I had a photo that was top of the ranking for a certain search and I sold it in the hundreds. For some reason, it was no longer number 1 and not even on the front search page and I didn't sell it once for the next few years.
Yes, exactly. That's why analyses only make sense on the overall agency level to visualize trends and, for example, evaluate the coverage of these trends and niches over time.
The agencies have a huge amount of data and statistics that they don't pass on to the contributors as tools. And that's incredibly stupid, because it even leads to lost economic synergies.
If I as a contributor could evaluate how much revenue a keyword or certain category has generated over time and how big the offer/competition is, I could much faster and more efficiently align my own offer with customer wishes instead of aimlessly stabbing in the dark and guessing, and even wasting the agency's capacities senselessly.
The problem is the management of the agencies. They have no strategy. They all just want earn easy money.
For a while SS had a tool where you could compare keywords and how often they were searched through the year - I remember looking at "fireworks" and there were big spikes before Dec 31 and July 4 and smaller spikes before things like Chinese New Year and Bastille day. You could see that "christmas" was searched all year, but ramped up through the summer and fall and then started falling off around the end of November. It was also useful for comparing something like Closeup, close up, macro, etc. Since it was actually useful, they got rid of it fairly quickly.
14
« on: March 10, 2025, 11:46 »
Interesting, but so many things that could be missing from the analysis - for example images with no sales at all, or perhaps images that sell very poorly on one site, but because they are being made for another site where they sell well (eg cat pics on SS) - you are learning to make them for SS, but not for other sites. As SS (or any other site) jumps the shark you need to switch which sites you make images for.
What really matters is return per effort. If you can make images that sell half as well but they take 1/4 of the effort it is well worth making those images.
Also image types where you have a chance of a great seller with a lot of low to no sellers too. It might still be worth making images of these types even though most don't hit if the few that do gain traction make a lot of earnings.
15
« on: March 02, 2025, 17:43 »
speaking of ai, i haven't had a "contributor fund" payment in ages. have others been getting anything? ss has been terrible for me for 3 months now.
Didn't they offer the exciting news of only paying 15% for AI data training? Maybe 0% is even more exciting.
16
« on: February 28, 2025, 12:23 »
Same here when I search in my portfolio. Not on the general site-wide search.
17
« on: February 27, 2025, 17:31 »
I looked through my rejects. I found 7 listed as removed for similar. Of those I was able to find 2 that were still in my portfolia with a different # and thus I think the correct removal of a duplicate. 2 were images that had quite similar images still in my port. The rest I couldn't find anything particularly similar - unless you consider something like one mountain in Colorado similar to another - which I guess is possible.
so out of 7, 2 completely correct 2 reasonably correct 1 could be argued ok 2 not even close
Other things I found while looking through the rejects - 5 rejected for "non compliant" with mention of " - Non compliant use of another artists name.- Undeclared Generative AI Content. or- Content not compliant with overall guidelines" most of these are from before AI images were a possibility and I have never submitted AI images. I don't know if these were previously accepted and then pulled later or never got accepted. Some could have possible IP problems (like a close up of Washington from a dollar bill with bandages on him), but others I just don't know.
The really big takeaway is how arbitrary the rejections are - usually a string in a row for the same reason - focus, quality issues, artifacts, exposure, or aesthetic or commercial appeal of image. With the last reason occasionally given for images that sold well on other sites. Sure, their sandbox, their rules, but looking at the AI dreck they accepted it does make one wonder what they are thinking, or if it is just some algorithm or inspector just clicking a reject reason.
18
« on: February 17, 2025, 14:34 »
I bet they don't get reset to base salary every January.
19
« on: February 13, 2025, 17:55 »
What really matters in the end is the bottom line.
RPD is one way of understanding changes to the bottom line - double your images and double your sales but bottom line is unchanged - it probably is because the RPD has dropped. If you double your images and sales number doesn't change but RPD is the same - it is probably due to falling sales per image and not RPD.
Of course, in reality sales per image are dropping along with RPD for most contributors.
RPE - Return Per Effort would be a better metric, but also a lot harder to see and chart.
20
« on: February 07, 2025, 10:30 »
applies and exports up, $ down. This seems to be the usual for Canva these days. The all time earnings look like the left side of a half pipe. Down maybe 30% from the first half of 2024. The drop is slowing, but it is awfully low and still dropping. I'm not sure what accounting tricks they do to avoid paying us much, but they seem to be working.
21
« on: February 01, 2025, 14:24 »
I haven't bothered to add up my totals yet (another result of the lack of excitement from all the exciting news we have had over the years - but I can tell it won't be very good already) From what is posted it is pretty amazing how much lower income we now make from honestly mostly much better content. I remember starting out on SS and in the first month that I had over 100 images up I made 100$ - and I had to upsize because my 4mp point and shoot really only took 3.9 mp pictures.
Contrast that with increasing your port 40% and making essentially no more or even less $ now or having 3000+ images and making 15$.
Of course there was a lot less competition - I think there were under 1 million images at SS then and we made .25 per download.
22
« on: January 29, 2025, 18:22 »
The Chinese plagiarism program plagiarized off the US plagiarism program and does it cheaper with less energy, maybe time for the US program to plagiarize back.
23
« on: January 22, 2025, 19:23 »
I tried to find the photos that were offensive (to see if somehow they actually were) but I couldn't find them on my Canva account - so maybe they aren't showing them to educational users because they removed them from the database completely.
Are other people able to see the images that were mentioned in these e-mails in their Canva accounts?
24
« on: January 21, 2025, 13:31 »
Yeah, some of those "violations" are pretty silly - like an old linoleum knife, someone rock climbing, a woman in swimsuit standing about 10 feet above a river, the Manzanar Camp in California, or a steak dinner.
Sure, don't show the dead animals or people free soloing to educational buyers, but a steak dinner?
Of course the way they report this to us is completely ridiculous too, like we violated their terms (that they didn't even have when we uploaded this images).
At one time Canva was actually a new way of selling our work, now I think they are just pushing the race to the bottom.
25
« on: January 15, 2025, 02:27 »
Poor houses: no fire-proof, no water-proof, no wind-proof, no foundations. Poor materials (sold as gold) and weak buildings, like huts.
No proper fire extinction services as a public service.
Every year the same.
Why are the houses so expensive if so poorly built?
Much of the cost is the cost of the land - a lot up in the hills adjacent to nature costs many $ - and also is much more likely to burn. Also most builders know how to build with wood - it is relatively cheap and fast and much of the work can be done by only semi-skilled workers- so most houses are highly flammable. There are too many people for the number of houses available, so a house in the foothills of LA costs many times what the same house would cost in the middle of the country.
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