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Messages - etienjones
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151
« on: February 07, 2013, 05:40 »
"patronage performance returns to artists,"
This sounds rather weird wording. I am a little suspicious.
From cubestat.com: Index Info For: stocksy.com Alexa Rank: 0 Quantcast Rank: 0 Compete Rank: 0 PageRank: Backlinks: 0 Google Indexed Pages: 0 Google Indexed Images: 0 Yahoo Indexed Pages: 0 Live Indexed Pages: 0 Dmoz Listing: No Dmoz Title: Dmoz Description: Dmoz Category: Host IP: 107.23.110.93 Site Hosted in: Owner: ICANN Registrar: TUCOWS DOMAINS INC. Site Age: 4 years Created: 2009-07-19 Expires: 2013-07-19 Updated: 2012-10-23 Domain Suffix: Commercial Archive: stocksy.com in the past is this suspicious? I don't know, it only tells me that the idea has been around since 2009.
152
« on: February 07, 2013, 04:49 »
Is that Billy Bob Thornton?
153
« on: February 06, 2013, 05:56 »
They don't make it easy to leave. I think my 90's days notice must be almost up, I can't log in but all my images are still there. Hope to see them gone soon.
Same here but I terminated just 1 month ago . . . . . now I can't log in and my images are still available. I downloaded a Comp (380x249 px) just to see what is available.
155
« on: February 05, 2013, 12:00 »
I have two problems that are driving me mad and I when I try to search for answers I get everything BUT what I need. Hopefully I can explain so it makes sense and I will be forever grateful if someone can guide me.
Problem 1:
Whenever I open a new adjustment layer, it automatically opens as a clipping mask. I cannot find where I go (likely preferences - but I can't find it in there!) to turn it back so that the adjustment will be made to the entire layer every time and I can add a clipping mask if I want to!
Problem 2
If I use the black or grey eyedropper the entire layer turns pure white. (i.e. in curves or levels) The white eyedropper seems to work okay! If I use the "auto" button the entire layer turns pure white.
This has been going on for several weeks.... I think maybe when I was taking some Martin Perhiniak (sp?) PS tutorials I followed his instructions to make basic changes - but these two issues are driving me nuts!
Thanks thanks thanks! Hopefully this is easy for someone!
1. whenever you use a adjustment layer it automatically comes with a Mask, although it will be white meaning nothing is masked. If you click on that white mask and use control-I then that mask will inverse making it all black . . meaning masking everything. 2. Those eye droppers while using Levers or Curves will set your Highlight and Shadow. If your default Highlight is 255, 255, 255 then if you use the Highlight dropper on something dark it will in effect move the slidders on your Levers so the darks equal 255,255,255. Is that what you mean? PS.....You can set your eye dropper default values for Highlights and Shadows by double clicking on those eye droppers and set its value. Mine are set at 248,248,248 and 8,8,8.
156
« on: February 04, 2013, 13:54 »
This again! A few points which come up every time this comes up which is most months ...
- What country is your co-op going to be based given that all different countries have all different rules around the way in which co-ops can be formed or incorporate including many different rules about stock holdings ? Different rules about what even is a co-op.
- Most co-ops involve profit sharing.
- RF stock is about having thousands of contributors. Thousands of people could never practically reach agreement over the sort of issues which running a co-op would demand. Photographers are notoriously bad at getting along with each other in business.
- A manageably sized co-op would need to make distribution deals with Getty. Boutique collections can be great. They already exist.
- Huge resources are needed (millions $) annually to operate the sort of site which would get traffic adequate to compete as a standalone RF site. Even a small site is going to need to spend a significant amount on international accounting, legal fees, security, merchant services etc
- Most people would rather take photos than run an agency. It would be like wanting to be a farmer and ending up running a supermarket.
The change, if change comes which I doubt, will be about smaller groups working together by using common platforms to present a united front end. Some have postulated an Open Source platform. I doubt that the economics make this a viable Open Source project.
The co-op can be anywhere... Panama or some other tax haven, since it really doesn't have to be anywhere...
As for shear numbers... if a democracy like the USA can work then I am sure we can work with the numbers needed here. The trick would be to hire professionals to run the orgainization, not to run it ourselves... we set the guidelines and set it in motion.
And as for farmers running a supermarket...I am looking at farmers co-ops as an example... some of the bigfood distrubtion companies are farmers co-ops.
Since it has been suggested before, then it might be really worth exploring. Otherwise we will be at the mercy of the Gettys of the world.
Bad example, democracy doesn't work in the USA. Haven't you noticed?
157
« on: February 03, 2013, 14:23 »
↑ But that image is too good to leave . . . . . . .
158
« on: February 03, 2013, 05:12 »
I don't think we should be thinking about the numbers or what Getty think about this. What matters is that lots of buyers are made aware of how little Getty/istock respect us, how low our commissions are and that non-exclusives have much bigger portfolios on other sites. Hopefully more and more of them will at least get a second account and only use istock to buy from exclusives.
There's a lot more we can do but I think we should wait and see what effect D-Day has had before planning another group action. It was great to take part in this and see so many joining in. It's made me think that perhaps we do have some power.
I think that is about right. Wait a while but let it be known (especially to buyers) and organize for: D-Day2
159
« on: February 02, 2013, 16:04 »
50 done
160
« on: February 02, 2013, 11:19 »
But to answer your question, sure I would put one image up . . . . . . .
161
« on: February 02, 2013, 11:12 »
Of course there is the possibility that Google just buys Getty, it is not unusual for Internet companies to acquire content this way. They can then just say "new owners, new rules" . . . . . . . .
162
« on: February 02, 2013, 07:22 »
If Getty wants to degrade the value of Microstock Images then I guess its their prerogative. For us, the creator of these assets, the only reasonable solution is to have an opt-out option. Failing this option, leaving is the only action open to us.
163
« on: February 02, 2013, 06:03 »
Reason given:
O, what a tangled web we weave when we practice to deceive.
by Sir Walter Scott, not Shakespeare
164
« on: February 02, 2013, 06:01 »
The deed is done. Reason given:
O, what a tangled web we weave when we practice to deceive.
by Sir Walter Scott, not Shakespeare
165
« on: February 01, 2013, 09:36 »
The way I look at it is simple, spend one day to organize your site and see what it brings at the end of the year. I am much too lazy to invest a lot of time but who knows. I have 9 Galleries with a couple of hundred images . . . . that should tell me if I wasted $30 and a day's work. As to a profile picture, I am of the opinion that the more out of focus my picture is, the better I look. http://4-steven-jones.fineartamerica.com/
166
« on: February 01, 2013, 09:10 »
Istock have posted an update about google & microsft deals here: http://www.istockphoto.com/forum_messages.php?threadid=351105&page=1
Google Drive
Once again, we'd like to thank you for your continued patience. To reiterate from previous posts, royalties have been paid in connection with the Google Drive usage based on all consideration received by Getty Images under the licensing agreement. We understand your concerns relating to the deal and we are making progress in a productive dialogue with Google about these concerns and potential solutions. As many of you have pointed out Google is a big company, much bigger than Getty Images, and coordinating across the teams there that will help with any modifications is taking longer than we might have hoped, but things are still proceeding.
Microsoft
Based on your concerns, we have also been working with Microsoft over the past several months to bring resolution to the license that was set up in 2007. Over the next 60 days all imagery licensed as part of this promotional arrangement will be removed from the online version of Microsoft Office. Keep in mind though that all licenses that were granted by Microsoft prior to the removal of the content remain valid licenses under the terms of the Microsoft EULA. As previously explained, if you see instances where your content is being used without or contrary to the iStock or Microsoft license terms, please let us know at [email protected].
Our contributors are extremely important to us. We take very seriously our obligation of representing your creative work. While every deal is not perfect out of the gate, we strive to license your content in a financially beneficial manner and believe we largely succeed in this effort across the millions of customers and transactions completed each year. We are also working hard to make your content available to new customers in new uses through investments in marketing, technology and new business models. At the same time, we are investing heavily in technology, education and industry efforts to protect your copyrighted work and license your content responsibly.
Thanks again for your time, patience and constructive feedback.
Seems like a bait and switch to me. This was the best Post that I read from eelnosiva: "Am I reading the same note from Lobo? Why all the contributor thanks? He's just announced that it has taken over 5 years to resolve the Microsoft debacle and no news on the Google deal despite a contributor revolt planned for tomorrow.
Am I missing something...?"
167
« on: January 28, 2013, 14:05 »
168
« on: January 28, 2013, 13:54 »
You are right, like everything in Photoshop it doesn't always work mainly because you don't always want neutral Highlights. Snow is a good example, there is nothing uglier than gray snow! Snow is Blue
169
« on: January 28, 2013, 06:43 »
I learned that at a Workshop I took with Barry Haynes (author of the "Photoshop Artistry" books) some years ago. I hardly ever use this technique for shadows anymore, but always on Highlights if only to keep track of the RGB Values.
170
« on: January 28, 2013, 06:00 »
Even old dogs can learn new tricks . . . . . . . . .
171
« on: January 28, 2013, 05:48 »
Ignore if you are experienced in Photoshop, for beginners this is Photoshop 101:
After correcting in Raw I bring the file into Photoshop to finalize WB.
Using the Levels Palette you can set the White Point by using the eye droppers at the lower right., I have mine set to 250,250,250 (double click to set a default). . . . by doing this you can finalize a Neutral White Point after your RAW Conversion. First you must find the Brightest Pixel by dragging the Highlight slider with ALT down, set a Color Sample and then use the White Point Eye Dropper on that Sample. With this technique you force neutrality in the highlight.
This adjustment doesn't work if the Highlights are Clipped or if you don't want perfectly neutral Highlights. I do the same for Shadows, mine are set to 8,8,8.
Make sure your Info Palette is open so you can keep an eye on your Color Sample RGB values.
172
« on: January 14, 2013, 15:57 »
With only 700 images at IS I will remove 100 to see if there is any effect, if not, then more will be removed.
Feb 2nd projected total 7184
173
« on: January 02, 2013, 12:58 »
I'm trying to leave, it takes 90 days after you tell them. Sold 1 for a few cents and I will be quite pleased when I no longer have to waste time looking. I don't like leaving sites but this one doesn't appeal to me anymore.
I'm a bit surprised there aren't more people giving up on them.
I am right behind you, pulled the string today . . . . . . . .
174
« on: December 20, 2012, 10:56 »
Inside of a circus tent. Not only is it a strange subject, believe it or not, one of my best selling images.
That's why I don't try to figure out what people might want . . . . . . I have absolutely no idea.
175
« on: December 09, 2012, 03:47 »
I have submitted a whole series of Hand Painted Collages along with property releases and had no problems. Mine were abstract designs so, unlike yourself, no "references" to the possible original sources were needed.
Like this:
http://www.shutterstock.com/cat.mhtml?gallery_id=193138#id=25079275&src=e9ecdf19c200527df576bf89e55bc348-1-74
Nice work. Funny though that it states: Release information: N/A
What happened to the Property Release?
Thanks click_click, it is the ultimate in recycling . . . taking older paintings that I don't like anymore, ripping them into pieces and creating something new. A very cathartic process.
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