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Messages - Jo Ann Snover

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5901
iStockPhoto.com / Re: Has iStock broken search phrases?
« on: November 22, 2011, 15:40 »
I sent info to kelvinjay about my examples and I see the Help forum post has been updated with other examples, so I hope they have some clue as to what they broke from those.

5902
iStockPhoto.com / Has iStock broken search phrases?
« on: November 22, 2011, 14:37 »
Seeing a couple of comments in the iStock help forums and some odd results in a search I did, I think iStock has done something to break its search parsing for multi-word terms.

I typed tropical beach into the top box, photos only, and  I get in the results (many of which are beaches) a beer bottle, bunch of grapes and a dog, all isolated, all with no obvious connection to what I searched for.

Grapes, dog, beer

slobo had reported seeing a bit of grungy paper in a search for car repair, which may be the same thing. A help forum post (without examples) in the search thread mentioned this type of thing too.

Anyone else seeing this? Perhaps if we can give IS some more examples they can get it fixed faster.

5903
Envato / Re: PhotoDune Non-ex Rate Increase from 25% to 33%
« on: November 22, 2011, 13:30 »
... but not a bug.


It's not a bug, it's a feature...


I guess I'd say that if it's intentional, it's a really idiotic feature. Especially the part about wiping out what you wrote instead of leaving it on the page so you can submit it once you've done your 10 minutes of jail time.

Does it have to do with being new to the system and once they know you're not some lunatic spammer you can post as and when you see fit? The issue is that when forums are used for support, it's most often the newbies who have problems and are helping out other newbies - so the time you need it most you can use it least. Not cool.

5904
Envato / Re: PhotoDune Non-ex Rate Increase from 25% to 33%
« on: November 22, 2011, 12:38 »
Slightly off topic, but I was trying to help out a fellow newbie in the PhotoDune forums and post a reply explaining where to find something he couldn't find and when I went to submit my reply I received this error message and my reply was just wiped out!

 "Please wait 10 mins between commenting/posting"

What on earth is that about? I had just replied in a different thread to someone who was kindly trying to help me out and then in trying to return the favor I get my knuckles rapped that I have to wait (and retype everything I just typed).

I'm going to be patient, but PhotoDune really needs to fix a variety of things about the upload process, documenting what new users are to do and whatever this "don't be useful for 10 more minutes" rule is on the forums or they'll be overwhelmed by the attempts of new users to start contributing.

The admins won't be around for a few more hours yet (assuming they're all in Melbourne).

5905
iStockPhoto.com / Re: REDEEMED CREDIT SYSTEM BROKEN
« on: November 22, 2011, 12:00 »
...In the end, if you keep track of all the sales as reported on the site, it doesn't report the same total amount of money you earned. You have to keep track of modifications reported only by mail.

It's far from adequate (i.e. I'm not trying to excuse IS's pitiful reporting of sales) but if you get the monthly CSV from your stats page there should be a column called Admin Adj or something like that and that's where those lump sums show up. As long as they pay in the year they effed things up, at least your totals in the CSV will be right even if you can't correctly total a day or week's sales

5906
iStockPhoto.com / Re: iStock fails to recover ground
« on: November 22, 2011, 10:49 »
gostwyk's numbers are similar to mine. This month so far the subscription $$ are 41% of my total at SS

5907
iStockPhoto.com / Re: REDEEMED CREDIT SYSTEM BROKEN
« on: November 21, 2011, 19:47 »
My RCs look to be accurate, as far as I can tell. 

Lisa, glad to hear your updates seem correct. Mine do not, in fact the amount they updated by seems to be less than half of what it should be. A few other people on iStock have said the same, is anyone else seeing less of an increase than expected?

I think my number's low, but I have no records to be able to backtrack and see if it's my memory or a wrong RC total. I don't think it mattters (to me) because either way I'm going to miss my 40K total for the year. Now if they lower the RC targets, it might become more important

And congrats to Lisa for making 150K. Given the current environment, that's really great.

5908
Envato / Re: PhotoDune Non-ex Rate Increase from 25% to 33%
« on: November 21, 2011, 16:59 »
I am happy to see your announcement. I tried to upload my portfolio samples after passing your author quiz. I used FTP, saw the uploaded zip in the portfolio submission page, selected it, wrote a note, checked the box and when I submitted it got a 405 "not allowed" error.

Your portfolio approval process is more cumbersome than any site out there. I don't really know why it doesn't work, but if you can fix it, I'll happily go back and try again.

If I'm going to get 2,000 files uploaded the system needs to work. If now isn't a good time because you're working on the site, I'll hold off until that's done.

ETA: In fairly short order I received an e-mail that my samples had been received - so perhaps the error message was harmless. then I just received a note that I've been approved. I'll try a batch via FTP and see how things are working. If someone went in to fix this, many thanks.

5909
Lighting / Re: PocketWizard Troubleshooting
« on: November 21, 2011, 14:13 »
Can you switch 2 and 3 to rule out some flakiness in the unit the PW is attached to that's behind the failure. I have had some problems (but it's always been with all PWs not firing) after changing some flash settings on my camera and having had the flash on the hotshoe. But I have a Canon 5DII so it's probably something specific to my hardware)

5910
iStockPhoto.com / Re: iStock fails to recover ground
« on: November 21, 2011, 14:09 »
The competition, such as it is, between Thinkstock and SS will be over the prices buyers pay, not commissions to contributors.

To beat SS for a buyer's business they're already cheaper for an annual subscription, they offer 10% off images at Getty and there is some content not on the micros in the mix. So far that hasn't stolen SS's thunder as far as I can tell (although I obviously don't have any access to data to back that up). I think the flow of new content into SS is considerably greater than it is at Thinkstock which matters more to subscription buyers than pay as you go buyers.

If IS really wants to get exclusive content onto Thinkstock en masse, especially from the top sellers, they'll either have to offer more for royalties or remove the opt out (which they've already done for Getty contracts). Having that new content might get them some leverage to have buyers from SS consider TS, but they'd be giving up all that extra independent content that isn't on IS because of the teeny tiny upload limits and buyers might not find that compelling.

If they want to get the existing independent content from IS onto TS they need to fix whatever's busted in the internals that transfer files from A to B. It's now nearly 2 months since we were forced into the PP and none of the files have made it over. So SS gets to have the busy season unmarred by additional competition from TS in any way.

By the time IS/Getty/H&F get their act together it may be like Bing vs. Google: even if Bing works OK, if a happy Google user (e.g. me) has no reason to switch, you stay where you are.

5911
General Stock Discussion / Re: A dumb question about exif
« on: November 21, 2011, 10:25 »
I think lots of agencies strip the exif, but there's no requirement that they do it. If there's information in there you don't want the world to see, you would need to remove it prior to uploading rather than hoping every agency does it for you.

5912
iStockPhoto.com / Re: iStock fails to recover ground
« on: November 21, 2011, 10:22 »
...This is microstock - IS has forgotten that very basic concept and are now suffering the consequences.


...It's possible that they haven't forgotten what microstock is about, and are just choosing to try a different pricing model and leaving microstock behind. I don't happen to agree with that position, if that is in fact what they are doing, but it does put things in a different perspective. In theory, things might not be so bad at istock HQ and they may just be planning to try and ride out the current slow-down in sales volume while slow and steady price increase up their profits.


Yes I agree with you on this - but I also don't think there is much of a market where they are going - there are too many great images available at the micro level - and I am not sure they are at the mid-level of stock either - they are quite close to where the original Getty prices used to be. Or at least the Getty I used to buy at (in Asia I think they were somewhat cheaper).


If you look at this old (June 2011) blog post by John Lund, he's very happy to see the Agency Collection (in which he already participated) being distributed on iStock at Getty prices. From that blog "I am missing a huge segment of the stock photography marketuntil now." and "Think about itnow I can have images that are available through both Getty and iStockphotoand all without having to license the images at microstock prices! Is that cool or what?"

If iStock could have managed this clever trick without driving away buyers for their regular collection, it could possibly have been a win-win. I think that the massive best match shifts in favor of Vetta/Agency and the long time before they grudgingly implemented a price slider (that even KKT admitted in that interview in Milan was something that users in their testing didn't even notice was there; I know some think it's OK, but I still think it's a poor implementation) drove regular buyers away.

I'm guessing they thought they could do both chunks of the market and keep Getty/H&F happy while continuing business as usual in the market segment that made them successful. They messed that up big time and the only remaining question is whether they have to retreat to being Getty lite and give up the microstock area to Thinkstock or whether they can make enough corrections to fix what they broke.

When you're big and the market leader you have much more leeway than other players to mess up and fix things. I have to say that the continuing eff up in software development isn't reassuring - I'm assuming they're on a very tight leash for spending and can't get the expertise they so clearly need.

5913
iStockPhoto.com / Re: REDEEMED CREDIT SYSTEM BROKEN
« on: November 20, 2011, 18:54 »
I'd lay odds they would say a temporary lock is not available, you have to disable your portfolio one at a time.

Which of course would be a lie because we know they have the capability to do that. However some top contributors would be losing over $1k per day, lots of others several $100, by disabling their portfolios. That's a big hit to take to express your dissatisfaction.

A mass resignation of exclusivity (by giving the 30 days notice) might be more effective and would give Istock the opportunity to make concessions before it happened. Then we'd see who blinks first.

That's a pretty high risk thing for an exclusive to do as the strict terms of the deal are that if you change your mind within the 30 days you get to spend 90 days as an independent before you can get your crown back. If iStock chose to be strict about it (and when I inquired of CR prior to pulling the trigger myself they made a reference to the September announcement having shocked some members but that now (Jan 2011) they would follow the contract; that suggests they might have bent the rules in September 2010) that means 3 months of reduced earnings with no real supplement from other sites.

5914
iStockPhoto.com / Re: REDEEMED CREDIT SYSTEM BROKEN
« on: November 20, 2011, 12:00 »
I think a few things are a very big deal.

1) There was no "oops" in the forums and/or via e-mail from iStock to announce that they'd messed up and were working diligently to fix this. As with the premature removal of the exclusive EL bonus last year, this was brought up by contributors and only after a while of complaining was there some admin response. That either means they didn't know about the problem or they have so little regard for contributor relations that they couldn't be bothered to try and manage the situation.

2) I have no confidence that the fix will be correct. When they made the EL bonus back payments they were wrong. When a number of contributors pointed that out to iStock, CR's response was that there was a problem with the script to calculate the back payments but that as it was slightly over, they weren't going to fix it. In my case I knew that to be true even though I didn't know what the exact amount should have been (because contributors aren't privvy to the size of image purchased with an EL so we can't do the math for them).

3) We have no choice - other than leaving iStock - but to accept whatever number they come up with. We don't know the details of each sale - royalty percentage, price paid per credit, credits per sale. We can't get a decent simple accounting of each transaction from our agent - and producing a downloadable csv file with the details is the sort of thing computers are well suited for doing. I don't think we have any regulatory agency that will require this accounting. So when our agent makes repeated mistakes in accounting - that they eventually acknowledge - and the whole system is based on trust, it feels like a very big deal to some contributors.

As far as the partner program goes, I'm an unwilling about-to-be-participant in that, but I wish they'd sh*1 or get off the pot on the inclusion of independent content. Income from that might help offset some of the dips at IS, but the silver lining is perhaps they'll have the payments fixed before they figure out how to move the independent content over.

One or two mistakes every now and then is part and parcel of every operation. Multiple, serious relatively frequent sc*3w ups in just about every part of their site operation indicates something else to me.

5915
Shutterstock.com / Re: Shutterstock's Ipad App
« on: November 19, 2011, 21:56 »
I asked my husband to install this on his iPad so I could take a look - what a great job they did. Beautiful way to look through search results.

5916
It certainly seems like good news - although like logos and PNG, it's "coming soon" :)

I deleted all my vectors in September as I wasn't having them go to PP, so I don't have any personal stake in that any more.

5917
iStockPhoto.com / Re: REDEEMED CREDIT SYSTEM BROKEN
« on: November 19, 2011, 00:23 »
Have they really just gone home for the weekend with no update?

There are a fair number of unhappy people in the Help forum thread on IS suggesting that this should be treated as an urgent issue. And given the complete lack of detail on every sale (once again I'll refer to my old suggestion about this, which seems like basic simple accounting for paying suppliers) knowing what we should have been paid is near impossible.

5918
Our dear friends at Getty are once again offering a take-it-or-get-out contract change to photographers. This time it's editorial. See the PDN report here (and thanks to sjlocke for posting on FB as I hadn't seen it yet).

It doesn't directly affect those of us selling via the micros, but following on from the April 2011 contract changes, again shoved down contributor's throats, it doesn't signal anything good for contributors, IMO. All this talk of more opportunity would be fine if it actually happened, but I'm not aware of any signs of Getty growing markets or volumes, just trying to get a larger slice of the pie for itself.

Here is a BJP article about the Spring changes. And some blog comments on it here. Here is an earlier MSG thread on this.

5919
Shutterstock.com / Re: I wonder who they're aiming this at
« on: November 18, 2011, 21:21 »
What's weird is that a few of my vettas on iS weren't accepted because they had "limited commercial value", even though they've sold a good number of times at a high price on iS. Is there an appeal process on SS? If this is off-topic never mind.

Nothing formal, but I had a similar experience with some ex-Vettas and best sellers rejected for limited commercial value. For some I resubmitted with a note to the reviewer of how many times the files had sold on iStock and in most cases they were accepted the second time. I always note when it's a resubmission and what I've changed or why I'm trying again - in the note to reviewer, another nice feature. I would strongly discourage trying again without a note and I don't think a support ticket will get you anywhere other than referred to SS's critique forum. I don't think the latter's helpful unless you think there's something wrong with your image and you want to figure out what and how to fix.

What you'll find is that there  are some types of shots where SS will happily accept things iStock never would but also that some things that (a) I think are commercial (b) iStock accepted and (c) are technically sound that SS just won't take. For a variety of reasons this is also true of other sites - DT has problems with more than a handful from a series, 123rf is super-picky about property releases, even for things shot from a public place, and so no. Fight a few if you think it's worth it, but otherwise just move on. The agencies generally don't budge if you hit one of their policy walls.

5920
iStockPhoto.com / Re: REDEEMED CREDIT SYSTEM BROKEN
« on: November 18, 2011, 18:52 »
Just when I worry that I'm overstating the case for iStock's software department being incompetent, we get another gem like this. Doesn't anyone test anything before they push it live? And if they do test it and didn't find that, then their testers aren't competent either.

5921
Each agency has its likes and dislikes, but although SS is (these days) pretty tough, it's better for you as well if they encourage you to increase the saleability of your content. I think you might want to reprocess any images you submit to SS from the existing portfolio (I looked at FT as it had the most) to get really white backgrounds, not almost white (here is an example).

You also have a number of shots with lighting problems - here's an example - and you shouldn't submit that to SS even though otherwise it'd be a fine choice.

This shot of a woman outside against the sky would be a good choice, but shots like this one would probably be considered low commercial value by SS - she's not doing anything, I can't think where this type of shot could be used.

I'd stay away from animal shots like this one - lighting and commercial value are issues. Shots like this might get accepted, but the harsh lighting and unfortunate background don't help. I like the strawberries too, but the shot's a bit dark and flat - reprocessing might help there.

You didn't say which ones they already rejected, but obviously you'd not want those or any similars. You may need to work on getting together some new shots to have your best chance at getting accepted at SS, using all you've learned from getting the existing portfolio accepted elsewhere.

Hope this helps.

5922
... of course now they're getting a bigger slice of your royalties, which makes them more profitable - but I guess that's the catch 22...

There's a cloud to every silver lining :)

We all have to make the best of the situation in which we find ourselves. Any answer which says you should license your own images (something that I think in other circumstances they prohibit) has a padded-cell quality to it. And the inability to provide a straightforward answer to a straightforward question in one or two exchanges is just embarrassing.

5923
Off Topic / Re: Time Land - a Time-Lapse film from Israel.
« on: November 18, 2011, 14:15 »

I use the  Dynamic Perception Stage Zero Dolly .
It is relatively cheap, and working great. But it's another learning curve, first understanding when to use it (always with something in the foreground) and than how...


Thanks again for that link (and holgs for lrtimelapse). Dynamic perception has some great tutorial videos that helped me grasp how they use their dolly. It also highlighted that to use it one would need to purchase two additional tripods and one additional head (assuming you didn't want to take the head off your existing tripod used for static shots). So when figuring the cost you'd need to add those items in (assuming you didn't have the gear already).

The results are very appealing to me (more so than regular video in many cases)

5924
Off Topic / Re: Time Land - a Time-Lapse film from Israel.
« on: November 17, 2011, 20:55 »
It's lovely and makes time feel very floaty and ethereal (much more pleasant that it feels day to day!). Thank you so much for posting that.

I'd think that with the right scenes - shorter - you could  make some very salable stock short videos with those techniques.

5925
SS has in-house masseuses and free breakfasts.

No way... Really?

Well if that's true, I'd hope that SS would cut the perks if things got to the point where they needed to slow spending. Before they cut contributor rates. The real kick in the teeth of the istock cuts was they they made no internal cuts to save money and relied solely on contributors to absorb the cut-backs.

If Getty hadn't had to cough up $500million to H&F I don't think there'd have been anything unsustainable about iStock's business at all. It was paying the piper that caused all the trouble...

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