Author Topic: Adobe Stock webinar with video team (Read 4693 times)

marthamarks · « **Reply #1 on:** June 03, 2019, 17:35 »

Quote from: MatHayward on June 03, 2019, 16:31

Hi everyone,

This Thursday, June 6 at 4PM Eastern I will be speaking with Video Content Development Manager Dennis Radeke and Video Content Developer Paul McAniff about shooting video for stock. We hope you can join us!

Yay, Matt!!! I will be there.

MilanStojanovic · « **Reply #2 on:** June 03, 2019, 18:23 »

Great idea!
Will it be uploaded for so we can watch later?

wordplanet · « **Reply #3 on:** June 04, 2019, 00:07 »

Sounds good!

charged · « **Reply #4 on:** June 04, 2019, 07:56 »

Quote from: MilanStojanovic on June 03, 2019, 18:23

Great idea!
Will it be uploaded for so we can watch later?

+1

jjneff · « **Reply #6 on:** June 07, 2019, 07:33 »

Really great webinar! Thank-you so much

charged · « **Reply #7 on:** June 07, 2019, 08:05 »

Quote from: MatHayward on June 04, 2019, 08:24

Quote from: charged on June 04, 2019, 07:56
Quote from: MilanStojanovic on June 03, 2019, 18:23
Great idea!
Will it be uploaded for so we can watch later?

+1

Yes, the link will remain the same to view the recording. If you can join live we'll be taking questions.

See you there!

Mat

Great to watch, thanks!!! Please consider doing more, either in videos or other formats. I'm sure there is so much more you guys can talk about on all aspects on stock production.

ForrestBrown · « **Reply #8 on:** June 07, 2019, 14:08 »

Just watched the saved stream. Lots of great info. Thanks!

Pablito · « **Reply #9 on:** June 07, 2019, 16:50 »

Mat,

Just watched your recording of the webinar - very interesting. I know the webinar is over but you said Paul was your "go to" guy. So is there any chance you could go to him and ask this question?

When you talked about frame rates, it was passed over quite quickly with Paul talking about artistic intent and that it's "easy" to convert frame rates.
I know there's no definitive answer to this (I sell all frame rates quite well) but I want Paul on the spot! We see sales; we never get speak to buyers all round the world.

My question is:
Leaving artistic intent aside, leaving power sources in PAL/NTSC countries and flickering aside - If you had to have all your footage with one frame rate for buyers all round the world who want them for all sorts of end uses - which one frame rate would Paul choose based on what Adobe buyers have said. i.e. which one does he feel has the most general lack of resistance.

Here's the choice: 29.97 25 23.976